About This Item
Erased Tapes first introduced Lubomyr Melnyk and his unique continuous music technique to a wider audience with Corollaries (ERATP 048 CD/LP), an album produced by Peter Broderick in 2013. Now he returns with a 24-minute mini-album entitled Evertina. Featuring three newly-composed solo piano pieces, the long-form EP showcases another side to Lubomyr Melnyk - his more gentle and melodic work. In 2012 Lubomyr's ears began to notice the remarkable tonal depth of upright pianos. To Lubomyr the upright piano sound is like a natural forest of microcosmic colors. InchEvertinaInch and InchAwaitingInch were created on a middle-aged upright piano at a friend's home in New York in October 2012 - just before Hurricane Sandy hit the city. Some children were listening to Lubomyr as he played in a hotel lobby in Cologne and InchButterflyInch is the piece that he made for them. It was recorded on a battered grand piano somewhere in Switzerland in late 2013, with the lid closed down to soften the effect. InchThe piano for me has so many different faces, so many personalities and wonders, it is like life itself, ever-changing yet always holding to a permanence of beauty. Like butterflies that never fly in a straight line but always carry their loveliness with them in their multi-angled paths. I want people to hear these pieces, that are always hidden from the world. I keep them locked away in a quiet place, far from the concert hall. Why do I do that? I guess it is because they are so easy to play, so effortless, I can do them while sleeping. Whereas my more demanding abilities on the piano come out in the forceful nature of continuous playing. There, the new ground is being broken and a new door is being opened for the world. But that does not mean that I am bound by nature or by god to do only continuous music. My heart moves into these pieces just as it moves into the continuous mod
