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Pianist Luisa Imorde loves innovative combinations- following on from circus dances by Schumann and Widmann and the affair of honor between Woelfl and Beethoven, she now prepares to cast light on Johann Sebastian Bach and Nikolai Kapustin. This is an album whose spectrum ranges from Baroque counterpoint through to polyrhythmic jazz sounds. They could hardly be further apart Bach and Kapustin lived 250 years apart and on two different continents. One is the indisputable supremo of European classical music, the other a Russian composer known only to a few aficionados in central Europe, someone who transforms musical jazz sequences into formal, classical structures. On Moon Rainbow they alternate. InchThere is no established listening convention for this. The result is a foundation of literally unheard sounds, which makes it possible to hear anew so to speak a familiar old piece by Bach in this new context,Inch explains Imorde. Album Tracks 1. Konzert in d-Moll, BWV 974 nach Marcellos Oboen Konzert, S.Z799~I. Andante 2. 24 Jazz Preludes, Op. 53~IV. Allegretto 3. Konzert in d-Moll, BWV 974 nach Marcellos Oboen Konzert, S.Z799~II. Adagio 4. 24 Jazz Preludes, Op. 53~V. Largo 5. Konzert in d-Moll, BWV 974 nach Marcellos Oboen Konzert, S.Z799~III. Presto 6. 8 Concert Studies, Op. 40~VI. Pastoral. Andante moderato 7. Pastorale in F-Dur, BWV 590~III. Andante cantabile 8. 8 Concert Studies, Op. 40~III. Toccatina. Allegro 9. Toccata in e-Moll, BWV 914 10. 24 Jazz Preludes, Op. 53~IX. Lento 11. wohltemperierte Klavier II Präludium und Fuge in Cis-Dur, BWV 872 12. 24 Preludes and Fugues, Op. 82~XXII. Allegretto. Grave 13. wohltemperierte Klavier II Präludium und Fuge in H-Dur, BWV 892 14. 10 Inventions, Op. 73~IX. Lento 15. Invention No. 6 in E-Dur, BWV 777 16. Sonatina, Op. 100~Allegro ma non troppo 17. Konzert in D-Dur, BWV 972 nach Vivald
