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The View From Nowhere is a record of experimental electronic music that explores possible relationships between voice and modular synthesis. Composed and recorded by Matt Carlson at Worksound in Portland Oregon, the record develops and expands ideas discernible in his early solo works or as one-half of the duo Golden Retriever. Built with a clear unity of approach centered on the voice and text as elements in synthesis, the record flattens the distance between the vocal and the musical. The voice sounds synthesized, and the synthesized sounds seem to be speaking to you. The View From Nowhere takes Carlson's interest in the sounds of attempted communication into the realm of the textual. Although melody and a good dose of Matt's unusual sense of humor shape the record, another key emphasis in the composition is his specific approach to rhythm and sequencing. Rhythmic patterns are used but the music is somehow never fully on or off the grid. Carlson opts to use Nancarrow-esque overlapping meters and tempos to keep the music out of any kind of predictable patterns of electronic music. The View From Nowhere is thematically centered around ideas of confusion, panic, misunderstanding, and Inchbad faithInch communication. It's interested in the process of how something moves from being an InchabstractInch sound into becoming a signifier of specific meaning, and the interstitial space in between. The felt attempt to communicate meaning lay behind the artwork as well, standing as a visual representation of the way the music approaches language. The text-based imagery strives to exist between sense and nonsense, the meaningful and the meaningless. Individual syntactical units InchpointInch to one another but don't necessarily cohere into comprehensible statements. Relationality is implied and seems to emerge merely by placing signifiers against one another. Taking influence fro
