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A close contemporary of Buxtehude, Johann Pachelbel was by all accounts an outstanding keyboard player himself, and his compositions provide a fascinating stylistic bridge between early-Baroque composers such as Frescobaldi and Froberger (both of whom influenced him) and the later music of Bach and his contemporaries. Organist Matthew Owens embarks on a major exploration of the many extant organ works of Pachelbel beginning with this first volume recorded on the iconic 1965 Frobenius Organ of The Queen's College Chapel in Oxford, considered a vital instrument in the classical organ revival in Britain. Demonstrating the huge range of his abilities as a composer, the diverse forms and styles Pachelbel used are revealed in this compelling recital. Album Tracks 1. Prelude in D minor, P407 2. Fugue in D minor, P154 3. Toccata in F major, P463 4. Chorale Partita 'Ach, was soll ich Sünder machen', P7a~Chorale 5. Chorale Partita 'Ach, was soll ich Sünder machen', P7a~Partita I 6. Chorale Partita 'Ach, was soll ich Sünder machen', P7a~Partita II 7. Chorale Partita 'Ach, was soll ich Sünder machen', P7a~Partita III 8. Chorale Partita 'Ach, was soll ich Sünder machen', P7a~Partita IV 9. Chorale Partita 'Ach, was soll ich Sünder machen', P7a~Partita V 10. Chorale Partita 'Ach, was soll ich Sünder machen', P7a~Partita VI 11. Magnificat Fugues Quinti Toni~Fugue I, P314 12. Magnificat Fugues Quinti Toni~Fugue II, P315 13. Magnificat Fugues Quinti Toni~Fugue III, P316 14. Magnificat Fugues Quinti Toni~Fugue IV, P317 15. Magnificat Fugues Quinti Toni~Fugue V, P318 16. Magnificat Fugues Quinti Toni~Fugue VI, P319 17. Magnificat Fugues Quinti Toni~Fugue VII, P320 18. Magnificat Fugues Quinti Toni~Fugue VIII, P321 19. Magnificat Fugues Quinti Toni~Fugue IX, P322 20. Magnificat Fugues Quinti Toni~Fugue X, P323 21. Magnificat Fugues Quinti Toni