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With InchIl trionfo della morteInch by Bonaventuro Aliotti from 1677, the French ensemble Les Traversées Baroque presents an important example of an early oratorio. The form of the oratorio developed after the Catholic Church in the Council of Trent (1545-1563) severely restricted the use of music in church services. Some religious congregations then began to perform new forms of music in their prayer and assembly rooms, the InchoratoriosInch. An important center for the development of the oratorio or InchDialoghi sacriInch, as this musical form of theological approach was called, was Sicily. There Bunaventuro Aliotti grew up and entered the Franciscan Minorite Order, where he received extensive training as organist and conductor. Aliotti created a total of eleven oratorios, but only four of them have survived. InchIl trionfo della morteInch revolves around the story of Adam and Eve, who are confronted with temptation, but also with their passion, their torments and their doubts. Aliotti characterizes his characters with great inspiration, and the orchestra comments and underlines the plot with short interjections in a varied and colorful way. Album Tracks 1. Trionfo Della Morte per Il Peccato d'Adamo~Prima Parte Sinfonia 2. Trionfo Della Morte per Il Peccato d'Adamo~Prima Parte Qual torbido fantasma 3. Trionfo Della Morte per Il Peccato d'Adamo~Prima Parte Sinfonia 4. Trionfo Della Morte per Il Peccato d'Adamo~Prima Parte Mà lasso 5. Trionfo Della Morte per Il Peccato d'Adamo~Prima Parte Vita si son del tuo cuore 6. Trionfo Della Morte per Il Peccato d'Adamo~Prima Parte Má che dissi, mie care pupille 7. Trionfo Della Morte per Il Peccato d'Adamo~Prima Parte Dolce amore 8. Trionfo Della Morte per Il Peccato d'Adamo~Prima Parte Che vaghezza, che bellezza 9. Trionfo Della Morte per Il Peccato d'Adamo~Prima Parte Adam, basta 10. Trionfo D
