Nahawa Doumbia is one of Mali's defining vocalists of the last four decades. Her work journeys through progressive stages of musical evolution and sonic vogues, making it hard to summarize or even comprehend. She's played a part in popular music since the late '70s, as her version of Wassoulou music developed from vocals-and-guitar duo into full-scale touring bands packing a bombastic, electrified punch. As Doumbia puts it, InchMy music has changed multiple times to this day... The more I progressed in my musical career, the more instruments I have had accompany my songs.Inch Awesome Tapes From Africa will Doumbia's debut recording La Grande Cantatrice Malienne Vol 1 this August, building on the success of the tag's first-ever reissue back in 2011, Doumbia's La Grande Cantatrice Malienne Vol 3. This seminal classic, which is still sought-after in Mali today, will finally be available for the first time internationally with remastered audio on LP, CD, Tape and Digital formats. The recording looks back to the beginning of Doumbia's long career, when she was performing in a simple voice and acoustic guitar . This was before she added bass and drums, and finally the electric guitar and synths for which she became known more recently. Released in 1981 by the excellent Côte d'Ivoire-based AS Records, the singer was barely 20 years old when it was recorded. She was accompanied by her future husband N'Gou Bagayoko on acoustic guitar, whose style echoes the nimble runs of traditional kamele n'goni players. The stark simplicity of this highly intimate recording- the audible room acoustics, the occasionally in-the-red vocals-do not obscure the mature strength of her voice. On Vol 1 Doumbia performs her songs with the tenacity and hunger of a young artist on the cusp. InchWhen I think about it, first, I am reminded of how long ago it was. It's one of the albums that I love mos