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In the midst of the COVID pandemic, the remarkably resourceful personnel and musicians of the New York Youth Symphony (NYYS), with Music Director Michael Repper, found a way to come together during a time of separation to make their debut recording. Featuring four works by three African American women composers - Florence Price, Valerie Coleman and Jessie Montgomery - the orchestra's first studio recording includes several premieres. The coincides with the 115th anniversary of Price's birth. Two recordings of works by Florence Price are firsts. Ethiopia's Shadow in America is the first recording of the work by an American orchestra. Her Piano Concerto in One Movement, with soloist Michelle Cann, is the premiere recording of the composer's newly-discovered original orchestration. Price's compositional voice blends the African American folk songs and dances of her heritage with the central European Romantic tradition in which she was trained. Her tone poem Ethiopia's Shadow in America evokes the injustices experienced by people of African descent. Her Piano Concerto in One Movement features the exuberant soloist Michelle Cann, a champion of the composer's music, who gave the New York and Philadelphia premieres of the work. Umoja - meaning InchunityInch in Swahili - by Grammy-nominated flutist, entrepreneur and composer Valerie Coleman originated as a simple song for women's choir. It's transformation as a work for orchestra - given it's first recording here - maintains it's feel of a drum circle and sharing of history through a traditional Inchcall and responseInch form. In her rich and colorful single-movement symphonic work Soul Force, NYYS alum Jessie Montgomery drew on Dr. Martin Luther King's InchI Have a DreamInch speech in which he states, InchWe must not allow our creative protest to degenerate into physical violence. Again and again, we must rise to the majes
