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Upon hearing 'Escape Velocity' (Semaphore Records), the debut from Paul Schneider, the listener is introduced to an artist hitting stride. Since it's online in 2003, the record has received abundant radio airplay (#11 Hits Specialty Chart and #22 Album Network's 'Underground' Specialty Chart) and garnered glowing reviews. Careening from Smiths and Costello inspired indie-pop, to Parsons style country, to the moodier rock of English shoegazers, the album serves up a balanced mix of musical styles with a strong pop sensibility, a package nyrock describes as 'the coolest little thing to come this way in a while'. TIMEOUT NY says 'his heart-on-sleeve stuff will work it's way into your head.' Live, Schneider splits his time between solo acoustic performances at colleges and coffee houses and full band rock shows at bars and clubs around the country. The band consists of a line-up as diverse and powerful as the songs on the record Sam Siegler (Rival Schools, CIV) on drums, Oscar Rodriguez (Nakatomi Plaza) on guitar, Sam Kassirer (Josh Ritter) on keyboards, and Dan Green (Sam Bisbee, Rain Phoenix) on bass. 'I like having variety in the band. A few punks, a few rockers, some folk people. That's more how I write. I think pop music is less a style unto itself than an aggregate of the best of many. Also, punks make singer-songwriter stuff less wimpy and folkies tend to give the rockers a little more touch, heart'. Getting to this point has been a journey for the California born songwriter who signed to Sony 550 back in 1998 with his band Rivington. The group went into the studio in 1999 with Ted Nicely (Fugazi, Girls Against Boys, Jawbox) and emerged with 'Happy on a Sliding Scale'. The record met an enthusiastic reception at the tag only to be delayed . The band left the tag in 2001 and briefly promoted the record themselves. 'Happy' climbed the CMJ charts, enjoying a str
