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For this second recording devoted to French Baroque music for two solo transverse lutes, Marie-Céline Labbé and Marion Treupel-Franck perform the six suites by Pierre Danican Philidor (1681-1731), pieces taken from the three collections published by the composer in Paris in 1717 and 1718. Written in a highly original style in which one senses the spirit of freedom blowing over Versailles and France during the regency of the Duke dOrléans, these short suites, in addition to the principal dances in vogue at the court of Versailles in the early 18th century, each comprise a fugue. A few brunettes by Michel Pignolet de Montéclair (1667-1737) round out the program. The brunette, a little rustic song with an evocative title, was a musical genre quite popular in the late 17th and early 18th centuries. The selection proposed here will enable the listener to discover another facet of the work of Montéclair, the composer who was the object of the two flautists first recording. Album Tracks 1. Petitte Brunette Aux Yeux Doux 2. I. Tres Lentement 3. II. Rigaudon en Rondeau 4. III. Courante en Contrefaiseur 5. IV. Fugue 6. Les PRÈS, Les Bois 7. I. Fugue 8. II. Air en Rondeau. Gayment 9. III. Sarabande 10. IV. Fugue 11. J'ay Passé Deux Jours Sans Vous Voir 12. I. Lentement 13. II. Fugue 14. III. Rondeau 15. IV. Chaconne 16. Lisette Aime Son Berger 17. I. Sarabande. TRÈS Proprement 18. II. Allemande. Lentement 19. III. Gayment 20. IV. Rondeau Légèrement Et Affectueusement 21. Assis Sur L'herbette 22. Iris Aux Bords de Seine 23. Quelque Puisse Estre Un Amant 24. La Bergere Annette 25. I. Affectueusement 26. II. Fugue. Gayment, Et Point Trop Viste 27. III. Lentement, Gracieusement Et Piqué 28. IV. Allemande 29. L'amant Le Plus Fidele 30. I. Rondeau en Contrefaiseurs. Lentement 31. II. Allemande. Un Peu Gay 32. III. Ai
