About This Item
The 18th century was a time when deportment and noble behavior were essential for people of quality. Dance formed a major part of all social ceremonies and theatrical presentations. Nowhere was dancing more highly regarded than in France, where ballets de cour assumed great importance, and the Lullian tragedie en musique had it's counterpart in the ballet en action of the opera-ballet. The Fantaisie (1729) and Plaisirs champetres (1734) of Jean-Fiery Rebel, reflecting the differing personalities of their prima ballerinas Camargo and Salle, have been called Inchchoreographic symphoniesInch. Bucolic pastimes were a favorite subject for these courtly entertainments Rameau's Inchheroic pastoralInch Daphnis et Égle (1753) is represented by a large number of movements which illustrate it's rich orchestration and expressive depth. InchSigiswald Kuijken's Petite Bande play with brisk rhythmicality, clean-cut precision and an engaging stylishness, at the same time not ignoring dynamic contrast. Howard Crook rises to the pathos of Acis's air in Lully's Inchheroic pastoralInch, but is heard at his best in ornate fast-moving airs by Rameau.Inch (Gramophone) Album Tracks 1. Ouverture 2. C'est en Vain... - Howard Crook/La Petite Bande 3. Passacaille 4. Que Me Peut Demander la Gloire - Howard Crook/La Petite Bande 5. I. Grave 6. II. Chaconne 7. III. Loure 8. IV. Tambourin 9. V. Chaconne 10. Tant Au'a Duré la Nuit... - Howard Crook/La Petite Bande 11. I. Musette 12. II. Gavotte 13. III. Chaconne 14. IV. Passepied 15. V. Bourrée - Rigoudon - Bourrée 16. I. Ouverture 17. II. Menuet en Rondeau 18. III. Rondeau Tendre 'Dieu de L'amitié' 19. IV. Sarabande 20. V. Gavottes 1 Et 2 21. VI. Passepieds 1 Et 2 22. Ranimez Vous - Howard Crook/La Petite Bande 23. VII. Entrée 24. VIII. Gigue 25. IX. Gavotte 26. X. Muzette 27. XI. Oiseaux, C
