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When film composers turn to classical music, they shed a straitjacket rather than lose a safety net. In his Metamorfosi di Violetta, Ennio Morricone dissects the unravelling of La Traviata's heroine with filmic acuity. Tigran Mansurian's Agnus Dei oscillates between chant and dissonance to evoke unresolved grief. John Corigliano's Soliloquy turns inward even further, transforming private loss into quiet radiance. Bernard Herrmann never sought classical abstraction, yet Hitchcock's musical alter ego-the composer of the Psycho and Vertigo scores-provides this programme's pièce de résistance Souvenir du voyage, a nostalgic gem with profound cinematic sensibility. Album Tracks 1. Souvenir du voyage~I. Lento Molto tranquillo 2. Souvenir du voyage~II. Andante Berceuse 3. Souvenir du voyage~III. Andantino Canto amoroso 4. Trio for Clarinet, Cello and Piano~I. Allegro 5. Trio for Clarinet, Cello and Piano~II. Andante 6. Trio for Clarinet, Cello and Piano~III. Allegrissimo 7. Soliloquy 8. Agnus Dei, InchIn memoriam Oleg KaganInch~I. Agnus Dei (Larghetto) 9. Agnus Dei, InchIn memoriam Oleg KaganInch~II. Qui tollis peccata mundi (Andante) 10. Agnus Dei, InchIn memoriam Oleg KaganInch~III. Miserere nobis 11. Valse Sacrée 12. Metamorfosi di Violetta