Royer Labs - R-122 MKII Active Ribbon Microphone, Phantom Powered Studio Mic for Instruments and Vocals
Reviews coming soon
Reviews coming soon
In 2022, we introduced the R-11, the world's first phantom powered, active ribbon(TM) microphone. It was a revolutionary development in ribbon mics, combining impedance matching circuitry with condenser-like output levels that allowed the R-122 to be used on even the quietest sound sources. It also allowed the mic to be paired to virtually any preamplifier. The R-122 MKII takes the R-122 to a whole new level, delivering unprecedented flexibility for ribbons via the addition of a switchable -15 dB pad and a switchable bass-cut filter. The switches are completely cut out of the circuit when disengaged so when both are off, the microphone is for all purposes an original R-22. The switches are located on the back of the microphone and recessed to prevent accidental activation. Features: · Phantom powered circuitry provides high output and impedance matching · -15 dB pad before the mic's electronics gives more headroom when activated · Bass cut filter reduces proximity effect and bass below 100 Hz when activated · High SPL Capabilities · No distortion up to maximum SPL rating · Extremely low residual noise · Ribbon element is not affected by heat or humidity · Absence of high frequency phase distortion · Equal sensitivity from front or back of element · Consistent frequency response regardless of distance · Rear side of mic records slightly brighter when three feet or closer to sound source
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Features phantom-powered active circuitry that provides higher output levels and proper impedance matching, allowing the microphone to perform consistently with a wide range of preamps. This design improves signal strength and makes it suitable for capturing both quiet and loud sound sources with clarity and reduced noise in professional recording environments.
Includes a selectable -15 dB pad that increases headroom when recording high sound pressure sources such as guitar amplifiers, drums, and brass. This allows the microphone to handle louder signals without distortion, giving engineers more control and flexibility when working in high-volume recording or live sound applications.
Equipped with a switchable bass-cut filter that reduces low-frequency buildup and proximity effect during close-miking. This helps maintain a more balanced sound when recording instruments up close, improving clarity and reducing unwanted low-end resonance in both studio and live performance environments.
Designed to handle high sound pressure levels without introducing distortion, while maintaining extremely low residual noise. This ensures clean, accurate sound reproduction across a wide dynamic range, making it suitable for both delicate recordings and demanding high-output sources in professional audio setups.
Delivers consistent performance across a wide range of uses, from studio recording to live sound reinforcement. Suitable for vocals, instruments, and amplified sources, the microphone offers flexibility for engineers who need reliable results across different recording scenarios while maintaining a natural, detailed sound signature.