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With InchFear Is a Cruel MasterInch, Ruby the Hatchet deliver exactly the brain-frying, catchy yet full of raw energy thriller-album that the American trailblazers acclaimed predecessor InchPlanetary Space ChildInch (2017) promised it to be. Five long years have passed since the New Jersey psych-rock squad dropped their last album, but the wait is finally over. Ruby the Hatchet have reached a new peak of writing music as a collective that was hard won through sacrifices and an iron will to get better and to reach a new level each time. The album title, InchFear Is a Cruel MasterInch, duly epitomizes the mood of the lockdown period in which it was written. Accustomed to working together as a group, singer Jillian Taylor, guitarist Johnny Scarps, drummer Owen Stewart, bassist Lake Muir, and organist Sean Hur were forced to spend more time apart than they normally would. InchI read a lot during the pandemic, when I came across the phrase 'fear is a cruel master', Taylor explains. At the time, you could see the fear and how it was holding people back. The title resonates with being in the music community, because it was shaky for everyone - from bands to booking agents to venues. Fear was in the air. Recorded at New Future in Jersey with Paul Ritchie from THE PARLOR MOB, InchFear Is a Cruel MasterInch wasn't as meticulously mapped out as RUBY's previous albums. The band purposely left space for spontaneity and magic moments. Ultimately, the main theme of InchFear Is a Cruel MasterInch is self-reflection. Although these songs were forged in the crucible of world-stopping pestilence, they come with a timeless quality that transcends the moment of their creation. Everything that makes Ruby the Hatchet such an outstanding and wildly loved act even among their peers is there - ranging from those sultry, honey-smoked vocals, via rich yet crisp guitars, to the spirit of rock 'n
