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At the turn of the nineteenth and twentieth centuries, the lied increasingly took on orchestral garb. The boundary with opera became almost impalpable. That is what Samuel Hasselhorn and Lukasz Borowicz demonstrate here, in a splendid program mingling smiles and disillusionment, where some of the most characteristic orchestral lieder and operatic arias of this Austro-German 'fin de siècle' era blend perfectly together. Album Tracks 1. Mahler Des Knaben Wunderhorn Revelge 2. Humperdinck Königskinder, Act III Finale Verdorben! Gestorben! (Fiddler's Aria) 3. Korngold Die Tote Stadt, Op. 12 Mein Sehnen, Mein Wähnen (Pierrot's Tanzlied) 4. Mahler Rückert Lieder Um Mitternacht 5. Pfitzner Herr Oluf, Op. 12 6. Mahler Des Knaben Wunderhorn Urlicht 7. Zemlinsky Zwei Gesänge Der Alte Garten 8. Braunfels Auf Ein Soldatengrab, Op. 26 9. Berg Wozzeck, Act III Scene 2 Dort Links Geht's in Die Stadt (Wozzeck and Marie's Duo) 10. Mahler Rückert Lieder Ich Bin Der Welt Abhanden Gekommen