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For more than three decades, AFI has been in a nearly constant state of reinvention. The band have made it a point to evolve with every album-sometimes dramatically so-never allowing themselves to become too comfortable in one genre or rest on any of their impressive career laurels. It's an approach that has grown their audience but also challenged it with a sonic identity that can shift in wild, unexpected directions. Now with their twelfth album, Silver Bleeds the Black Sun..., AFI are once again at the start of a bold new chapter, only this time they've even managed to surprise themselves. How does a band that's known for creative upheaval still find ways to push themselves out of their comfort zones? Typically the group would start an album by immediately throwing themselves into writing and simply letting their intuitive musical shorthand guide the process, but for Silver Bleeds the Black Sun... AFI set out to purposely change their creative approach all together. This time it started with a conversation how could they break new ground? The key to moving forward actually ended up coming from AFI's collective past. InchWe started with something that sounded like Echo & the Bunnymen,Inch explains guitarist Jade Puget, who produced and engineered the album. InchBut eventually we ended up with this melange of death rock and post-punk-all this stuff from the late '70s and early '80s that we grew up on, like Sisters of Mercy, and Bauhaus, and Siouxsie and the Banshees.Inch The goal became making an album with a singular mood, something dreamy and ethereal, and the band members found themselves diving headfirst into influences that had always been deeply embedded in AFI's musical core, but now were being brought to the forefront. Silver Bleeds the Black Sun... is dark and otherworldly, but also grandiose and stately, biting and beautiful in equal measure-in other words
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For more than three decades, AFI has been in a nearly constant state of reinvention. The band have made it a point to evolve with every album-sometimes dramatically so-never allowing themselves to become too comfortable in one genre or rest on any of their impressive career laurels. It's an approach that has grown their audience but also challenged it with a sonic identity that can shift in wild, unexpected directions. Now with their twelfth album, Silver Bleeds the Black Sun..., AFI are once again at the start of a bold new chapter, only this time they've even managed to surprise themselves. How does a band that's known for creative upheaval still find ways to push themselves out of their comfort zones? Typically the group would start an album by immediately throwing themselves into writing and simply letting their intuitive musical shorthand guide the process, but for Silver Bleeds the Black Sun... AFI set out to purposely change their creative approach all together. This time it started with a conversation how could they break new ground? The key to moving forward actually ended up coming from AFI's collective past. InchWe started with something that sounded like Echo & the Bunnymen,Inch explains guitarist Jade Puget, who produced and engineered the album. InchBut eventually we ended up with this melange of death rock and post-punk-all this stuff from the late '70s and early '80s that we grew up on, like Sisters of Mercy, and Bauhaus, and Siouxsie and the Banshees.Inch The goal became making an album with a singular mood, something dreamy and ethereal, and the band members found themselves diving headfirst into influences that had always been deeply embedded in AFI's musical core, but now were being brought to the forefront. Silver Bleeds the Black Sun... is dark and otherworldly, but also grandiose and stately, biting and beautiful in equal measure-in other words

Double black ice colored vinyl LP pressing. A Day in the Life is the second studio album by R&B singer Eric Benét, originally released in 1999. Album Tracks 1. That's Just My Way 2. Georgy Porgy (Feat. Faith Evans) 3. Spend My Life with You 1. Something Real 2. Loving Your Best Friend 3. When You Think of Me 4. Lamentation 1. Dust in the Wind 2. Why You Follow Me 3. Come As You Are 1. Love the Hurt Away 2. Ghetto Girl 3. Love of My Own
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Oops!... I Did It Again spun off three hit singles around the world InchOops!... I Did It Again,Inch InchLuckyInch and InchStronger.Inch The album was certified 10x Multi-Platinum by the Recording Industry Association of America (RIAA) and was supported by her first world tour, making stops in North America, South America and Europe. Album Tracks 1. Oops!... I Did It Again 2. Stronger 3. Don't Go Knockin' on My Door 4. (I Can't Get No) Satisfaction 5. Don't Let Me Be the Last to Know 6. What U See (Is What U Get) 7. Lucky 8. One Kiss from You 9. Where Are You Now 10. Can't Make You Love Me 11. When Your Eyes Say It 12. Dear Diary

Limited numbered deluxe box set edition. Includes five 180gm vinyl LPs, 7Inch vinyl picture disc, 15 CDs, four DVDs, two tour laminates and book. Includes digital download. Produced by Bob Rock, Load is the follow-up to Metallica, the best-selling album of the Soundscan era. Load contains fan favorites including InchUntil It Sleeps,Inch InchHero of the Day,Inch and InchKing Nothing,Inch and for the first time ever, the original extended version of InchThe Outlaw TornInch that was originally edited due to manufacturing limits. Remastered by Reuben Cohen at Lurssen Mastering and overseen by executive producer Greg Fidelman. With 301 total tracks (245 unreleased) and weighing in at over ten pounds Album Tracks 1. Ain't My B*tch (Remastered) 2. 2 X 4 (Remastered) 3. The House Jack Built (Remastered) 4. Until It Sleeps (Remastered) 1. King Nothing (Remastered) 2. Hero of the Day (Remastered) 3. Bleeding Me (Remastered) 1. Cure (Remastered) 2. Poor Twisted Me (Remastered) 3. Wasting My Hate (Remastered) 4. Mama Said (Remastered) 1. Thorn Within (Remastered) 2. Ronnie (Remastered) 3. The Outlaw Torn (Remastered) 1. Mama Said (Remastered) 1. Ain't My B*tch (Live at Irvine Meadows Amphitheatre, Irvine, Ca, 8/4/1996) 1. 77 Intro Jam (Live at Irvine Meadows Amphitheatre, Irvine, Ca, 8/4/1996) 2. So What (Live at Irvine Meadows Amphitheatre, Irvine, Ca, 8/4/1996) 3. Creeping Death (Live at Irvine Meadows Amphitheatre, Irvine, Ca, 8/4/1996) 4. Sad But True (Live at Irvine Meadows Amphitheatre, Irvine, Ca, 8/4/1996) 1. Ain't My B*tch (Live at Irvine Meadows Amphitheatre, Irvine, Ca, 8/4/1996) 2. Whiplash (Live at Irvine Meadows Amphitheatre, Irvine, Ca, 8/4/1996) 3. Fade to Black (Live at Irvine Meadows Amphitheatre, Irvine, Ca, 8/4/1996) 1. King Nothing (Live at Irvine Meadows Amphitheatre, Irvine, Ca, 8/4/1996) 2. One (Live at