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It really was super natural, laughs Duncan Troast, explaining how he and Nick Corson came to form The Convenience, and though he means it was as organic as breathing, the music these two conjure is from an alternate reality. Pulling from a pastiche of 80's sounds and their own rolodex of future pop flourishes, their new album Accelerator sounds like a late-night disco party on a distant outpost, a sea of dancing bodies illuminated by an alien moon.The two met at New Orleans' Loyola University, where somewhat ironically, they ended up out of convenience. Troast grew up in a suburb of New Jersey, where he played piano until he Inchgot old enough to hate itInch, eventually drifting to jazz study, where his teacher became an early mentor. Nervous about the future, he stumbled on Loyola's music program, which you could apply to by simply submitting a performance video. Corson, on the other hand, was anxious to get as far away from San Francisco as he could, and figured he could find his way into a recording studio if he auditioned to study classical guitar.After orbiting each other for years, they ended up as supporting players in the local band Fishplate (whose principal songwriter, Grady Bell, now handles the iconic visual art for their band). It quickly became apparent that there was a special chemistry between the two, and they weren't the only ones to take note - while recording with Ross Farbe, the three struck up an immediate friendship, and he invited them to join his band, the rising pop group Video Age. The invitation couldn't have come at a better time - Corson had dropped out of school, and the two were fighting feelings of doubt, unmoored in their post-college lives. The offer to play in their favorite band and experience life on the road was the perfect antidote to their uncertainty. Before long, the two were spending the downtime between tours exploring what
