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If The Waltz were a drink, it'd be a slamming cocktail of Panoramix's magic potion, mixed with Red Bull, some coffee and a strong Belgian Tripel beer. Young, eager and firmly rooted in the present, The Waltz present an eclectic sound best described as post-punk larded with a heavy dose of noise and a hint of pop. During the pandemic, The Waltz dove into the DUNK! Studios in Zottegem, Belgium and recorded their debut album. When asked if there's a common thread running through the album, the answer was Inchnot what it seemsInch. The lyrics, sprung from the turbulent brain of singer/vocalist - and part time anthropologist - Kevin Anne, are seemingly inspired by a macabre mirrored world only he knows exists. The result is a crushing debut-album with barbed-wired songs and catchy hooks sometimes wildly kicking around (InchEgocideInch) and sometimes anointing and soft (InchPrying EyesInch). The Waltz are a band that perfectly capture the zeitgeist of 2021. A firm head-butt with a kiss on the cheek afterwards. You won't know what to remember first the bang or the catharsis. Album Tracks 1. Looking-Glass Self 2. All the Rage 3. Dicktator 4. Ulterior Motives 5. Necessary Evil 6. Flowers 7. Red-Orange Moon 8. Schadenfreude 9. Enter the World 10. Egocide 11. Prying Eyes
