Tippett Quartet - Lawrence Rose: String Quartets - COMPACT DISCS [CD]
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From Haydn in the early 1770s to Ligeti in the late 1960s and beyond, the string quartet has been recognised by composers, performers and audiences alike as the bedrock of the chamber music genre. The had it's origins in private settings for amateur players who revelled in it's intimate, conversational and witty aesthetic. It progressed into a medium of public concerts for Beethoven's essays in expressive profundity and further contemporary approaches have seen it adapted into almost infinite possibilities. These two works by Lawrence Rose take inspiration from some past musical traditions which he has adapted into new and different guises.
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- GenreClassicalDescriptionFrom Haydn in the early 1770s to Ligeti in the late 1960s and beyond, the string quartet has been recognised by composers, performers and audiences alike as the bedrock of the chamber music genre. The had it's origins in private settings for amateur players who revelled in it's intimate, conversational and witty aesthetic. It progressed into a medium of public concerts for Beethoven's essays in expressive profundity and further contemporary approaches have seen it adapted into almost infinite possibilities. These two works by Lawrence Rose take inspiration from some past musical traditions which he has adapted into new and different guises.ArtistTippett QuartetTitleLawrence Rose: String QuartetsFormatCDLabelConvivium Records
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Michael Tippett, who was 'invincibly drawn to the quartet medium' when he heard performances by the Busch and Lener Quartets during his student years in London, wrote five string quartets spanning his entire compositional life.
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Penderecki wrote music for string quartet over a period of 56 years. His StringQuartetNo.1was written in the same year that he achieved international success with Threnody (Naxos8.554491), and includes a wide range of playing techniques reflective of the avant-garde. String Quartet No. 2 reveals the influence of Ligeti, while No.3is a personal, even autobiographical work. In No. 4 there are modal or even folk inflections, in writing that is both limpid and abrasive. The eventful Derunterbrochene Gedanke completes Penderecki's music for quartet, while the String Trio exemplifies his music's motoric energy.
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