Tobias Klich - Farzia Fallah - COMPACT DISCS [CD]

In Farzia Fallah's music, all ears are focussed on the sound. It is both the core and the shell of every acoustic process, it's beginning and end. From this consistent approach, the Iranian-born composer develops different, mostly filigree structures and forms. This reflects Fallah's idea of music that speaks through sound, but is difficult to verbalise, as she explains in the booklet text InchFor me, art is a kind of reflection, but it is difficult to speak literally about the content. I believe that there is content in every work of art, but linguistically we can only approach it by analysing and describing it. There is always a distance.Inch In her search for sound, Fallah draws on various line-ups for the CD portrait it begins with Bendedikt Bindewald's multi-layered violin playing in Inch... und dann befreit...?Inch, gradually expanding the range of instruments over the course of the album. In addition to Tobias Klich's and Henrik Dewes' guitars in Inchtaglicher Blick auf den AlborzInch, a trio from Ensemble S201 (InchAusgedehnter AugenblickInch, online only), the Sonar Quartet (InchHolz-Haar-Atem-LichtInch), the six-piece ensemble DEHIO (Inchi'm selben AugenblickInch) and the Ensemble Aventure as a nonet (InchUnter Bewunderung der FarbenInch) have their say. Album Tracks 1. Farzia Fallah ... Und Dann Befreit...? Benedikt Bindewald 2. Farzia Fallah Täglicher Blick Auf Den Alborz Gitarrenduo Henrik Dewes + Tobias Klich 3. Farzia Fallah Holz-Haar-Atem-Licht Sonar Quartett 4. Farzia Fallah Im Selben Augenblick Ensemble Dehio Rie Watanabe 5. Farzia Fallah Unter Bewunderung Der Farben Ensemble Aventure