Tony Molina - In The Fade - Gold - VINYL LP
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- Details
- Genre: Rock
- Description: Tony Molina loves and appreciates a well-crafted song, and he's one of the absolute best in the game at writing them. What he doesn't love so much is being told he's InchmaturingInch as a musical artist. His last solo album had what could be described as a jangly, '60s-ish sound, and some listener reactions threw him off a bit. InchI kept hearing 'Oh, he's maturing, he's getting into other S**t, writing more mature stuff,'Inch he says. InchI thought, 'Man, that's kinda lame, no I'm not...' Any time somebody expects something of me, I'm usually gonna do the opposite.Inch Running the other way isn't exactly how his new record came about, but writing and recording In the Fade, Molina's first under his own name in four years, did provide occasion to look back in time through his lengthy musical history while also blazing a new path forward. In early 2020, embarking on recording a new album, he started taking inventory in a way he hadn't really done before, delving deep into his personal archives for songs that might fit alongside the new material he'd been writing and demoing. Many of the ostensibly InchmatureInch musical elements that some listeners have latched on to in his recent work - piano, Mellotron, the occasional English accent - actually date back well over a decade to Ovens, the criminally underrated band with whom Molina wrote and recorded five albums in the early to mid-2000s. In the Fade revisits a few songs from those days. InchI had a bunch of old stuff that I had tried recording in the Ovens days [as well as] some songs that only got to the demo stage back then and I kind of forgot about,Inch he says. There were several gems to be found in there, and they helped set him off on the path to making a record that's arguably his best yet. Molina likens In the Fade to a compilation, encompassing every phase of his recording career to date while also fitting to
- Artist: Tony Molina
- Title: In The Fade - Gold
- Format: VINYL
- Label: Run for Cover
- Release Date: 08/12/2022
- Genre: Rock
- Other
- Product Name: Tony Molina - In The Fade - Gold - VINYL LP
- UPC: 810097913202
Tony Molina loves and appreciates a well-crafted song, and he's one of the absolute best in the game at writing them. What he doesn't love so much is being told he's InchmaturingInch as a musical artist. His last solo album had what could be described as a jangly, '60s-ish sound, and some listener reactions threw him off a bit. InchI kept hearing 'Oh, he's maturing, he's getting into other S**t, writing more mature stuff,'Inch he says. InchI thought, 'Man, that's kinda lame, no I'm not...' Any time somebody expects something of me, I'm usually gonna do the opposite.Inch Running the other way isn't exactly how his new record came about, but writing and recording In the Fade, Molina's first under his own name in four years, did provide occasion to look back in time through his lengthy musical history while also blazing a new path forward. In early 2020, embarking on recording a new album, he started taking inventory in a way he hadn't really done before, delving deep into his personal archives for songs that might fit alongside the new material he'd been writing and demoing. Many of the ostensibly InchmatureInch musical elements that some listeners have latched on to in his recent work - piano, Mellotron, the occasional English accent - actually date back well over a decade to Ovens, the criminally underrated band with whom Molina wrote and recorded five albums in the early to mid-2000s. In the Fade revisits a few songs from those days. InchI had a bunch of old stuff that I had tried recording in the Ovens days [as well as] some songs that only got to the demo stage back then and I kind of forgot about,Inch he says. There were several gems to be found in there, and they helped set him off on the path to making a record that's arguably his best yet. Molina likens In the Fade to a compilation, encompassing every phase of his recording career to date while also fitting to
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Tony Molina loves and appreciates a well-crafted song, and he's one of the absolute best in the game at writing them. What he doesn't love so much is being told he's InchmaturingInch as a musical artist. His last solo album had what could be described as a jangly, '60s-ish sound, and some listener reactions threw him off a bit. InchI kept hearing 'Oh, he's maturing, he's getting into other S**t, writing more mature stuff,'Inch he says. InchI thought, 'Man, that's kinda lame, no I'm not...' Any time somebody expects something of me, I'm usually gonna do the opposite.Inch Running the other way isn't exactly how his new record came about, but writing and recording In the Fade, Molina's first under his own name in four years, did provide occasion to look back in time through his lengthy musical history while also blazing a new path forward. In early 2020, embarking on recording a new album, he started taking inventory in a way he hadn't really done before, delving deep into his personal archives for songs that might fit alongside the new material he'd been writing and demoing. Many of the ostensibly InchmatureInch musical elements that some listeners have latched on to in his recent work - piano, Mellotron, the occasional English accent - actually date back well over a decade to Ovens, the criminally underrated band with whom Molina wrote and recorded five albums in the early to mid-2000s. In the Fade revisits a few songs from those days. InchI had a bunch of old stuff that I had tried recording in the Ovens days [as well as] some songs that only got to the demo stage back then and I kind of forgot about,Inch he says. There were several gems to be found in there, and they helped set him off on the path to making a record that's arguably his best yet. Molina likens In the Fade to a compilation, encompassing every phase of his recording career to date while also fitting to
Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX
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