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Live at the Old Quarter, Houston, Texas is a double live album by Texas singer/songwriter Townes Van Zandt. The recording captures Van Zandt in a series of July 1973 performances in an intimate venue and there is a strong critical consensus that this recording is among the most exemplary of Van Zandt's career. In July 1973, Van Zandt performed a string of shows over five sweltering nights at the Old Quarter club owned by Rex Bell and Dale Soffar that were recorded on a portable four track by Earl Willis, the album's producer and engineer. They would eventually be released four years later by Van Zandt's previous producer and manager Kevin Eggers on his new Tomato Records . The liner notes describe the recording as the "Rosetta Stone" of Texas music. One can hear Van Zandt's influences in covers by artists like Bo Diddley, Texas bluesman Lightnin' Hopkins, and country picker Merle Travis. Van Zandt's most famous works can also be heard, such as "If I Needed You" and "Pancho and Lefty" played to an audience not already familiar with these songs. The singer's laconic banter and corny jokes are also on full display. The album is also noted for the intimacy of the performance, with Van Zandt taking the stage alone and accompanying himself on guitar as he did thousands of times during his career. In the 2007 biography To Live's To Fly The Ballad of the Late, Great Townes Van Zandt, John Kruth writes that Van Zandt played "to nearly a hundred folks per set, packed shoulder to shoulder within the club's bare brick walls. The room was so jammed that it was impossible for a waitress to wend her way through the crowd to take drink orders. People had to pass money hand over fist and wait, in hopes that a mug of cold beer would eventually find it's way back to them." Van Zandt is introduced by Dale Soffar and, after apologizing for the busted air conditioning, performs a gentle
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Live at the Old Quarter, Houston, Texas is a double live album by Texas singer/songwriter Townes Van Zandt. The recording captures Van Zandt in a series of July 1973 performances in an intimate venue and there is a strong critical consensus that this recording is among the most exemplary of Van Zandt's career. In July 1973, Van Zandt performed a string of shows over five sweltering nights at the Old Quarter club owned by Rex Bell and Dale Soffar that were recorded on a portable four track by Earl Willis, the album's producer and engineer. They would eventually be released four years later by Van Zandt's previous producer and manager Kevin Eggers on his new Tomato Records . The liner notes describe the recording as the "Rosetta Stone" of Texas music. One can hear Van Zandt's influences in covers by artists like Bo Diddley, Texas bluesman Lightnin' Hopkins, and country picker Merle Travis. Van Zandt's most famous works can also be heard, such as "If I Needed You" and "Pancho and Lefty" played to an audience not already familiar with these songs. The singer's laconic banter and corny jokes are also on full display. The album is also noted for the intimacy of the performance, with Van Zandt taking the stage alone and accompanying himself on guitar as he did thousands of times during his career. In the 2007 biography To Live's To Fly The Ballad of the Late, Great Townes Van Zandt, John Kruth writes that Van Zandt played "to nearly a hundred folks per set, packed shoulder to shoulder within the club's bare brick walls. The room was so jammed that it was impossible for a waitress to wend her way through the crowd to take drink orders. People had to pass money hand over fist and wait, in hopes that a mug of cold beer would eventually find it's way back to them." Van Zandt is introduced by Dale Soffar and, after apologizing for the busted air conditioning, performs a gentle

Limited vinyl LP pressing. Digitally remastered edition. Diamond Dogs is the eighth studio album by rock icon David Bowie, released on 24 May 1974 on RCA Records. Thematically, it was a marriage of the novel Nineteen Eighty-Four by George Orwell and Bowie's own glam-tinged vision of a post-apocalyptic world. Bowie had wanted to make a theatrical production of Orwell's book and began writing material after completing sessions for his 1973 album Pin Ups, but the author's estate denied the rights. The songs wound up on the second half of Diamond Dogs instead where, as the titles indicated, the Nineteen Eighty-Four theme was prominent. Album Tracks 1. Future Legend (2016 Remastered Version) 2. Diamond Dogs (2016 Remastered Version) 3. Sweet Thing (2016 Remastered Version) 4. Candidate (2016 Remastered Version) 5. Sweet Thing (Reprise) [2016 Remastered Version] 6. Rebel Rebel (2016 Remastered Version) 1. Rock 'N' Roll with Me (2016 Remastered Version) 2. We Are the Dead (2016 Remastered Version) 3. 1984 (2016 Remastered Version) 4. Big Brother (2016 Remastered Version) 5. Chant of the Ever Circling Skeletal Family (2016 Remastered Version)

Double gold colored vinyl LP pressing. The saxophonist's soundtrack to the unsettling horror movie feeds off his darkest impulses as a composer, amplifying and mirroring the trauma and fear on the screen.

Limited 180gm vinyl LP pressing in gatefold jacket. The 50th anniversary edition of the original studio album remastered by James Guthrie comes in a gatefold jacket with posters and stickers. Album Tracks 1. Speak to Me 2. Breathe (In the Air) 3. On the Run 4. Time 5. The Great Gig in the Sky 1. Money 2. Us and Them 3. Any Colour You Like 4. Brain Damage 5. Eclipse