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UMAN's Chaleur Humaine, the debut album from the French duo of musicians and siblings Danielle and Didier Jean, resurfaces for the first time since it's original in 1992. While history, both private and public, is scattered with creative relationships between siblings that simply didn't Inchwork, Inch UMAN's story is uniquely different and defined by this bond, and a shared journey impressing footprints along an adventurous musical landscape. Prior to Chaleur Humaine, Danielle and Didier recorded two albums of pop songs met mostly with ambivalence, inspiring them to escape the expectations of the French music industry and build their own studio in Orsay, a suburb south of Paris. Chaleur Humaine was a modus operandi for their new, liberated perspective and space freedom to develop ideas independently; to cross-pollinate genres and abandon them altogether; to improvise and experiment in new musical configurations.Within their recording sanctuary, Danielle and Didier embraced cutting edge consumer music technology to inform the album's esoteric, textural characteristics. This is especially notable in the processing of Danielle's voice, inventively sampled, shifted and processed, then woven through Didier's dream worlds. This interpretation of technology and economy of sound, gives Chaleur Humaine a soft and impressionistic sense of surrealism, guided by a human sincerity and sublimated into a landscape that feels pastoral yet universal. UMAN, the name which binds Danielle and Didier musically, resembles InchhumanInch in many Romance languages but signals a spirit from a deeper earth force. Similarly, UMAN reinvents language in a postmodern way to create a harmony and truth that exists within and beyond human recognition. A poem, at once a theme and mantra, recurs throughout Chaleur Humaine InchIt's this force, almost animal, warm, like a kiss, fresh like the morning
