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African people of many cultural backgrounds were brought as slaves in Spanish colonial times to the Caribbean coast of what is now Venezuela. Through a culture of resistance, they and their descendants preserved and adapted the musical instruments, sounds, and rhythms of their past to life in their new homeland. Recorded in local communities throughout the region, this extraordinary ethnographic collection paints a lively mosaic of the vitality and diversity of Afro-Venezuelan music at the close of the 20th century. Originally recorded in the 1990s, this two-disc set is released by Smithsonian Folkways in 2014 for the first time. Extensive bilingual notes and photos are included. Album Tracks 1. La Sabana MacIzón-Gangue (Cumaco) 2. La Sabana Mono-Perra (Cumaco) 3. Bobures Cántica (Chimbánguele) 4. Bobures Golpe Chocho (Chimbánguele) 5. Bobures Ajé-Benito-Ajé (Chimbánguele) 6. Bobures Chimbangalero Vaya (Chimbánguele) 7. Bobures Songorongome Vaya (Chimbánguele) 8. Bobures Misericordia Señor (Chimbánguele) 9. El Tocuyo Yiyivamos (Tamunangue) 10. El Tocuyo La Bella (Tamunangue) 11. El Tocuyo Juluminga (Tamunangue) 12. El Tocuyo Poco a Poco (Tamunangue) 1. Barlovento Barlovento E la Tierra Del Cacao (Parranda) 2. Barlovento Rajuñao (Culo E Puya) 3. Barlovento Yo Vengo Regando Flores (Guaza) 4. Barlovento Décima Al Muchacho (Fulia) 5. Barlovento Bocón (Quitiplás) 6. Barlovento Cantos a Barlovento (Tonada de Tambor Mina) 7. Barlovento Gallina No Tiene Teta (Joropo de Bandola Barloventeño) 8. Barlovento Adiós Puebla Cantadores (Joropo de Bandola Barloventeño) 9. Barlovento Untitled (Performed with the Marimba de Boca) 10. Barlovento El Araguato (Performed with the Carángano) 11. Veroes in Yaracuy Quiéreme Niña (Luango Golpeao) 12. Veroes in Yaracuy Viene Saliendo la Luna (Sangueo) 13. Veroes in Yar
