About This Item
Johann Sebastian Bach's incomplete surviving works have a very special appeal. The music seems to be within our grasp and yet it still leaves us puzzled. What might these works have sounded like?The cantatas Ehre sei Gott in der Hohe (BWV 197. 1), Alles, was von Gott geboren (BWV 80. 1) and Singet dem Herrn ein neues Lied (BWV 190. 1) have also only survived in fragments - and yet they fascinate us with their musical power. The opening chorus from the New Year's cantata BWV 190. 1, for example, is one of Bach's most sonorous choral compositions. Carus has recently published reconstructions of these three cantatas, which attempt to make a previously unknown Bach accessible. The Vocalensemble Rastatt, the baroque orchestra Les Favorites and the soloists Miriam Feuersinger, Terry Wey, Florian Sievers and Sebastian Noack, under the direction of Holger Speck, show with their differentiated interpretation how these works might have sounded under Bach's direction. Album Tracks 1. Ehre sei Gott in der Höhe BWV 197.1, Kantate zum 1. Weihnachtstag für Soli (SATB), Chor (SATB) und Orchester~Coro Ehre sei Gott in der Höhe 2. Ehre sei Gott in der Höhe BWV 197.1, Kantate zum 1. Weihnachtstag für Soli (SATB), Chor (SATB) und Orchester~Aria (Soprano) Erzählet, ihr Himmel, die Ehre Gottes 3. Ehre sei Gott in der Höhe BWV 197.1, Kantate zum 1. Weihnachtstag für Soli (SATB), Chor (SATB) und Orchester~Recitativo (Tenore) O Liebe, der kein Lieben gleich 4. Ehre sei Gott in der Höhe BWV 197.1, Kantate zum 1. Weihnachtstag für Soli (SATB), Chor (SATB) und Orchester~Aria (Alto) O du angenehmer Schatz 5. Ehre sei Gott in der Höhe BWV 197.1, Kantate zum 1. Weihnachtstag für Soli (SATB), Chor (SATB) und Orchester~Recitativo (Basso) Das Kind ist mein, und ich bin sein 6. Ehre sei Gott in der Höhe BWV 197.1, Kantate zum 1. Weihnachtstag für Soli (SATB), Chor (SATB) und Orches
