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The music recorded by Ernest Greene as Washed Out has been nothing if not dreamy, and on his second full-length, Paracosm, he takes the dreamlike, otherworldly atmospheres of his music a huge leap further. The title refers to a phenomenon in which people create detailed imaginary worlds, and the idea of escaping is all over Paracosm's music and lyrics. Paracosm finds Greene reaching beyond the computers and synths that filled Washed Out's previous recordings, expanding his sonic palette to include over 50 different instruments, the most significant of which turned out to be old keyboards like the Mellotron, Chamberlin, Novatron, and Optigan. InchI've grown as a songwriter to the point where I want to have more involved arrangements, and that's really hard to do with sampling,Inch says Greene. InchThese machines were kind of a happy medium The sounds have a very worn, distressed quality about them, much like an old sample. But they also offer much more flexibility because they're playable.Inch Following two years on the road in support of the critically-acclaimed Within And Without, and the lauded Life Of Leisure EP (which can still be heard during Portlandia's opening credits), he and his wife, Blair (who plays in the Washed Out live band), relocated from the big-city hubbub of Atlanta to a house outside Athens, where Greene could shut out the real world in favor of an alternate universe of his own making. Listeners will be immediately struck by Paracosm's seamless melding of organic and synthetic sounds, and it's lighter tone. Greene says InchI knew from the beginning I wanted this record to be optimistic, very much a daytime-sounding album. I think the last record felt more nocturnal in some ways. This one I just imagined being outside, surrounded by a beautiful, natural environment.Inch With it's gorgeous execution and uplifting attitude, Paracosm is primed to be
