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What's the Matter, M Ross?, the third installment from the idiosyncratic M Ross Perkins, finds our boy on an inward journey, exploring the transcendental and existential with his most lyrically confessional album to date. It's a record that serves notice that multi-instrumentalist Perkins belongs amongst the singer/songwriter zeitgeist that has swooned over MJ Lenderman and Waxahatchee while serving as a conduit to optimism. Composed, performed, and recorded completely by Perkins in his Dayton, OH studio, What's the Matter is both the most stripped down and expansive within his tryptic of albums. The headphone symphonies move with a deliberate, composed sophistication while the lyrics explore fresh territory, turning the camera away from the Inchbutterscotch revueInch and pointing it into a mirror. InchThe touchstones of psych pop remain flourishes of Nilsson are still here, but so are Gram Parsons and Jonathan Richman. If you want to assign geography to What's the Matter, M Ross?, the album is equal parts Laurel Canyon and Big Pink, more Woodstock the town than the festival. Perkins is a self-contained (late-period) Teenage Fanclub with George Harrison's spiritual sense of inner wanderlust.Jonathan Richman once said, InchPoetry, if you love it, it works it's way into your conversations and into anything you do.Inch Perkins' new album is replete with the poetry of creation and living, signaling a sea change in how he writes and creates music. That end yield can be heard in the album's lead track InchHey Man/Hey Self,Inch a song that marries signature Perkins' ear for a cosmic pop hook with the contemplative. InchI am a filter for raw experience,Inch explains Perkins. It's a thought that provides a window into his artistic process, which evolved between his Karma Chief debut and What's the Matter, M Ross? He continues, InchThe writer puts one hand on the universe - th
