This landmark film is a brilliant exploration of truth and human weakness. It opens with a priest, a woodcutter, and a peasant taking refuge from a downpour beneath a ruined gate in 12th-century Japan. The priest and the woodcutter, each looking stricken, discuss the trial of a notorious bandit for rape and murder. As the retelling of the trial unfolds, the participants in the crime -- the bandit (Toshiro Mifune), the rape victim (Machiko Kyo), and the murdered man (Masayuki Mori) -- tell their plausible though completely incompatible versions of the story. In the bandit's version, he and the man wage a spirited duel after the rape, resulting in the man's death. In the woman's testimony, she is spurned by her husband after being raped. Hysterical with grief, she kills him. In the man's version, speaking through the lips of a medium, the bandit beseeches the woman after the rape to go away with him. She insists that the bandit kill her husband first, which angers the bandit. He spurns her and leaves. The man kills himself. Seized with guilt, the woodcutter admits to the shocked priest and the commoner that he too witnessed the crime. His version is equally feasible, although his veracity is questioned when it is revealed that he stole a dagger from the crime scene. Just as all seems bleak and hopeless, a baby appears behind the gate. The commoner seizes the moment and steals the child's clothes, while the woodcutter redeems himself and humanity in the eyes of the troubled priest, by adopting the infant.~Jonathan Crow
Audio Commentary by Japanese-film historian Donald Richie
Interview with Director Robert Altman about Rashomon
Excerpts from The World of Kazuo Miyagawa, a documentayr on Rashomon's Cinematographer
A Testimony as an Image, a sixty-eight-minute documentary featuring interviews with cast and crew
Archival audio interview with actor Takashi Shimura
Original and rerelease trailers
Plus: a booklet featuring an essay by film historian Stephen Prince; an excerpt from Director Akira Kurosawa's Something Like an Autobiography; and reprints of Rashomon's two source stories by Ryunosuke Akutagawa, "Rashomon" and "In a Grove"
Criterion is always the master of film archive quality and they do not skimp here. Akira Kurosawas masterwork is given the respect its due with superior sound and picture quality and a bevy of special features.
A handsome and fairly thick mini booklet lays out some trivia and details as well as including two short stories on which the work was based. Also on hand a helpful full audio commentary by an expert in Kurosawism as well as Japanese traditions of the era of the film.