Customer Ratings & Reviews
Customer ratings & reviews
An Inside Look at What Makes MGMT TickPosted
It is often very difficult to pinpoint the influences of a band when listening to their music. While some bands wear their influences on their sleeves, others tend to be inspired by their favorite artists while crafting a sound that is completely out of this world. MGMT is very much the latter, something of a new age psychedelic romp in electronic music. It's a bit like dancing through a field of synthesizers while tripping on acid...or so I imagine. Late Night Tales is a very unique music collections series. Established in 2001, Late Night Tales invites the world's best artists to delve deep into their music collections to create the ultimate "late night" selection. The series features expertly curated mixes by MGMT, Friendly Fires, the Flaming Lips, Metronomy, Groove Armada, the Cinematic Orchestra, Four Tet, Belle & Sebastian, Jamiroquai, Midlake, Arctic Monkeys, and more top artists. Each offering includes an exclusive cover version by the artist and a spoken word story narrated by the likes of Benedict Cumberbatch, Will Self, Bootsy Collins, Brian Blessed, and Patrick Moore. In other words, Late Night Tales is music and stories worth staying up for. More to the point, Late Night Tales is an in-depth look at the artists that have influenced and inspired the music of MGMT. The vinyl edition provides a slightly altered version of the CD/digital editions, dropping two of the tracks and altering the sequencing in order to fill up both sides of the two 180 gram vinyl records without spilling over onto a third LP. However, a bonus copy of the CD as well as the liner notes are included to provide the full experience. Whether you're at home listening on your turntable, your CD player, or your MP3 player, MGMT's ultimate late night playlist is there fore you to enjoy. Some of my personal favorites from this compilation are Disco Inferno's "Can't See Through It," Suicide's "Cheree," the Velvet Underground's "Ocean," Felt's "Red Indians," Julian Cope's "Laughing Boy," the Durutti Column's "For Belgian Friends," Charlie Feathers's "Mound Of Clay," Martin Rev's "Sparks," Spaceman 3's "Lord Can You Hear Me?", Paulina Anna Storm's "Morning Splendor," and, of course, MGMT's cover of the Bauhaus's "All We Ever Wanted Was Everything."
I would recommend this to a friend