The Bette Davis Centenary Celebration Collection [6 Discs] [DVD]

The Virgin Queen
Having previously portrayed England's Queen Elizabeth I in 1939's The Private Lives of Elizabeth and Essex, Bette Davis reprises the role in the Technicolor-and-Cinescope costumer The Virgin Queen. Harry Brown and Mindret Lord's screenplay proposes that Elizabeth's relationship with adventurer Sir Walter Raleigh (Richard Todd) was somewhat more than cordial. Raleigh is depicted as a charming opportunist, who deliberate leads the Queen on in order to further his chances of heading an expedition to the New World. Complications ensue when Sir Walter falls in love with lady-in-waiting Beth Throgmorton (Joan Collins). Not to be believed for a single moment, The Virgin Queen works well on a swashbuckler level, with Davis outacting everyone in sight-even such veteran scene-stealers as Herbert Marshall, Dan O'Herlihy, and Jay "Caligula" Robinson. ~ Hal Erickson, Rovi

All About Eve
Based on the story The Wisdom of Eve by Mary Orr, All About Eve is an elegantly bitchy backstage story revolving around aspiring actress Eve Harrington (Anne Baxter). Tattered and forlorn, Eve shows up in the dressing room of Broadway mega-star Margo Channing (Bette Davis), weaving a melancholy life story to Margo and her friends. Taking pity on the girl, Margo takes Eve as her personal assistant. Before long, it becomes apparent that naïve Eve is a Machiavellian conniver who cold-bloodedly uses Margo, her director Bill Sampson (Gary Merill), Lloyd's wife Karen (Celeste Holm), and waspish critic Addison De Witt (George Sanders) to rise to the top of the theatrical heap. Also appearing in All About Eve is Marilyn Monroe, introduced by Addison De Witt as "a graduate of the Copacabana school of dramatic art." This is but one of the hundreds of unforgettable lines penned by writer/director Joseph L. Mankiewicz, the most famous of which is Margo Channing's lip-sneering admonition, "Fasten your seat belts. It's going to be a bumpy night." All About Eve received 6 Academy Awards, including Best Picture. ~ Hal Erickson, Rovi

Phone Call from a Stranger
David Trask (Gary Merrill), the sole survivor of an airplane crash, takes it upon himself to contact the families of the various victims. Though he's already formed preconceived notions of his deceased fellow passengers, he's in for quite a few surprises when he meets the relatives. His first visit is to the wife (Beatrice Straight) and son (Ted Donaldson) of a profoundly troubled doctor (Michael Rennie). His second stop is at a nightclub managed by the domineering mother-in-law (Evelyn Varden) of an aspiring actress (Shelley Winters). Finally, he meets the invalid wife (Bette Davis) of an outwardly obnoxious travelling salesman (Keenan Wynn). After his odyssey into other people's lives, Trask gains a new perspective on his own personal travails. Few studios could pull off the "multi-story film" format as well as 20th Century-Fox, and Phone Call From a Stranger is a grade-A example of that format. ~ Hal Erickson, Rovi

The Nanny
In this thriller (which represented something of a departure for Hammer Films, noted for their gothic period pieces), Joey Fane (William Dix) has returned home after two years in an institution for mentally ill children. His sister drowned, and his family believes that Joey was to blame, despite his claims of innocence. Joey is convinced that the family's Nanny (Bette Davis) was responsible and refuses to have anything to do with her, but only neighbor girl Bobby (Pamela Franklin) agrees that there's something sinister about the woman minding the house. When Joey's neurotic mother Virginia (Wendy Craig) nearly dies after eating tainted food prepared by the Nanny, Virginia's sister Penelope (Jill Bennett) comes by to help. Penelope soon witnesses the bad blood between Joey and the Nanny, though before long she begins to think that the boy might be right about her after all. Jimmy Sangster adapted the screenplay from a novel by Evelyn Piper. ~ Mark Deming, Rovi

Hush ... Hush, Sweet Charlotte
A reclusive Southern Belle (Bette Davis) is haunted by a personal tragedy that claimed the life of her husband years earlier. When a distant relative comes to stay at her mansion, tensions boil over and family secrets threaten to upend her entire life. Robert Aldrich directed this psychological thriller. ~ Daniel Gelb, Rovi