The Great American Western, Vol. 30 [DVD]

Sheriff of Tombstone
In this western, Rogers and his sidekick Gabby get into all kinds of trouble when they ride into Tombstone and find themselves mistaken for the hired gun and his assistant. The gunslinger was engaged to work for the mayor and for a time Rogers goes along with it. When he discovers that the mayor is a bonafide crook, the "gunslinger" becomes the new sheriff. When the real gunman finally moseys into town, a showdown ensues. ~ Sandra Brennan, Rovi

Sunset Serenade
Roy Rogers champions the cause of Easterner Sylvia Clark (Helen Parrish), who is in danger of losing her father's ranch to crooked land speculators. Roy tries to deal with the villains through legal channel, but they spoil things by resorting to strong-arm tactics. Making our hero's task all the more difficult is that the principal heavy is woman, one Vera Martin (Joan Woodbury)-and just try to catch Roy Rogers punching out a female! Despite stiff competition from the ineluctable Gabby Hayes, the film is slyly stolen by Onslow Stevens as a shifty lawyer. The musical portion of the program is ably handled by Rogers and his old pals, the Sons of the Pioneers (with Bob Nolan). ~ Hal Erickson, Rovi

Bad Man of Deadwood
A mystery man works behind the scenes in this tuneful Roy Rogers western in which the local theatre owner attempts to ruin the honest businessmen of Deadwood. Even the sheriff, Jordan (Monte Blue), answers to nasty Jake Marvel (Ralf Harolde), whose reign of terror forces the decent people to become outlaws themselves. Enter Bill Brady, aka Brett Starr (Rogers), a sharpshooter with Professor Mortimer "Gabby" Blackstone's (George "Gabby" Hayes) traveling medicine show. Although a fugitive from justice, Bill comes to the aid of the beleaguered citizens, discovering along the way that a trusted friend isn't quite who he claims to be. Roy sings his own and Fred Rose's "Sundown on the Rangeland", Rose and Ray Whitley's "The call of the Dusty Trail" and Jule Styne and Sol Meyer's "Joe O'Grady". ~ Hans J. Wollstein, Rovi

The Lights of Old Santa Fe
Roy Rogers saves Dale Evans from being hoodwinked by a rodeo competitor in this pleasant, and pleasantly tuneful, B-Western from Republic Pictures. Due to the mismanagement of old-timer Gabby Whittaker (George "Gabby" Hayes), The Brooks Rodeo is about to be gobbled up by competitor Frank Madden (Richard Powers aka Tom Keene), who also has designs on pretty owner Marjorie Brooks (Evans) herself. But when Gabby hires Roy Rogers and the Sons of the Pioneers as the new headliners, Madden and his henchman Ken Ferguson (Roy Barcroft) are forced to commit a bit of sabotage. With the aid of Trigger, "The Smartest Horse in the Movies," and radio announcer Marty Maizely (Lloyd Corrigan), Roy and Gabby manage to the goods on Ferguson and prevent Marjorie from marrying the sleazy Madden. Featuring early silent screen star Claire Du Brey as Dale Evans' faithful housekeeper, Lights of Old Santa Fe also presents such pleasant musical divertissements as Jack Elliott's title tune, Tim Spencer's "Trigger Hasn't Got a Pretty Figger", "I'm a Happy Guy in My Levi's Britches" and "Cowpoke Polka", and Ricardo Lopez Mendez' "Amor". The latter is performed by Dale Evans in both English and Spanish versions. ~ Hans J. Wollstein, Rovi