
Steve Dawson has always been hard to pin down. A guitarist, a composer, asought after musical enabler and sideman? Of course, he's all of those thingsand more, but none of those descriptions really do the seven-time JunoAward-winning musician justice.Since moving to Nashville in 2013, it's been full tilt for the Vancouver native.When not producing albums for a slew of roots artists, touring and recordingunder his own name, or putting together his acclaimed 'Music Makers andSoul Shakers' podcast (now clocking in at well over a hundred episodes),Steve was usually out on the road supporting friends such as the Maritimepowerhouse Matt Andersen, or Birds of Chicago, with whom he's played over250 shows in the past three years.In 2019 and coming into early 2020, Dawson was as busy as he'd ever been inhis life. So, when the pandemic hit, like everybody else, he had to re-assessand figure out what to do to stay afloat. It's an old story by now, but the realityis that the same quarantine that closed so many doors in our daily lives,created the opportunity for Steve to work on a large volume of music thatwould never have seen the light of day otherwise. While perfecting his remoterecording techniques producing and playing on tracks for many other artists,this flurry of activity resulted in enough solo material for three distinct albums,the first of which, 'Gone, Long Gone' reflects Dawson's mastery of song-craft.Like all of Steve's albums, 'Gone, Long Gone' features brilliant instrumentalperformances from some of the finest players in roots music. Jeremy Holmesholds everything together on bass with drumming split between Gary Craigand Jay Bellerose (both drummers play together on 'Six Skeletons'), whileKevin McKendree and Chris Gestrin laid down the piano, organ and otherkeyboards. Keri Latimer joins in on vocals on two songs, and Steve's old'Birds of Chicago' band-mate, Allison
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Steve Dawson has always been hard to pin down. A guitarist, a composer, asought after musical enabler and sideman? Of course, he's all of those thingsand more, but none of those descriptions really do the seven-time JunoAward-winning musician justice.Since moving to Nashville in 2013, it's been full tilt for the Vancouver native.When not producing albums for a slew of roots artists, touring and recordingunder his own name, or putting together his acclaimed 'Music Makers andSoul Shakers' podcast (now clocking in at well over a hundred episodes),Steve was usually out on the road supporting friends such as the Maritimepowerhouse Matt Andersen, or Birds of Chicago, with whom he's played over250 shows in the past three years.In 2019 and coming into early 2020, Dawson was as busy as he'd ever been inhis life. So, when the pandemic hit, like everybody else, he had to re-assessand figure out what to do to stay afloat. It's an old story by now, but the realityis that the same quarantine that closed so many doors in our daily lives,created the opportunity for Steve to work on a large volume of music thatwould never have seen the light of day otherwise. While perfecting his remoterecording techniques producing and playing on tracks for many other artists,this flurry of activity resulted in enough solo material for three distinct albums,the first of which, 'Gone, Long Gone' reflects Dawson's mastery of song-craft.Like all of Steve's albums, 'Gone, Long Gone' features brilliant instrumentalperformances from some of the finest players in roots music. Jeremy Holmesholds everything together on bass with drumming split between Gary Craigand Jay Bellerose (both drummers play together on 'Six Skeletons'), whileKevin McKendree and Chris Gestrin laid down the piano, organ and otherkeyboards. Keri Latimer joins in on vocals on two songs, and Steve's old'Birds of Chicago' band-mate, Allison

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX

Limited 180 gram vinyl LP pressing. Purple Rain is the sixth studio album by Prince, the first to feature his backing band The Revolution, and is the soundtrack album to the 1984 film of the same name. Purple Rain is regularly ranked among the best albums in music history, and is widely regarded as Prince's magnum opus. Time magazine ranked it the 15th greatest album of all time in 1993, and it placed 18th on VH1's Greatest Rock and Roll Albums of All Time countdown. Rolling Stone ranked it the second-best album of the 1980s and 76th on their list of the 500 Greatest Albums of All Time. The first two singles from Purple Rain, InchWhen Doves CryInch and InchLet's Go CrazyInch, topped the US singles charts, and were hits around the world, while the title track went to number two on the Billboard Hot 100. The album was certified thirteen-times platinum (diamond) by the RIAA. Album Tracks 1. Let's Go Crazy 2. Take Me with U 3. The Beautiful Ones 4. Computer Blue 5. Darling Nikki 1. When Doves Cry 2. I Would Die 4 U 3. Baby I'm a Star 4. Purple Rain

Limited 180 gram vinyl LP pressing. The Rise and Fall of Ziggy Stardust and the Spiders from Mars is the fifth studio album by David Bowie, which is loosely based on a story of a fictional rock star named Ziggy Stardust. The album tells the story of Ziggy, a rock star who acts as a messenger for extraterrestrial beings. The album, and the character of Ziggy Stardust, was known for it's glam rock influences and themes of sexual exploration and social commentary. These factors, coupled with the ambiguity surrounding Bowie's sexuality and fuelled by a ground-breaking performance of InchStarmanInch on Top of the Pops led to the album being met with controversy and since hailed as a seminal work. The Rise and Fall of Ziggy Stardust and the Spiders From Mars has been consistently considered one of the greatest albums of all time, with Rolling Stone magazine ranking it the 35th greatest ever. Album Tracks 1. Five Years (2012 Remastered Version) 2. Soul Love (2012 Remastered Version) 3. Moonage Daydream (2012 Remastered Version) 4. Starman (2012 Remastered Version) 5. It Ain't Easy (2012 Remastered Version) 1. Lady Stardust (2012 Remastered Version) 2. Star (2012 Remastered Version) 3. Hang on to Yourself (2012 Remastered Version) 4. Ziggy Stardust (2012 Remastered Version) 5. Suffragette City (2012 Remastered Version) 6. Rock 'N' Roll Suicide (2012 Remastered Version)
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