Joey Alexander - Origin - VINYL LP

Dear Cats and Kittens, dig this cool array of killer black rock and roll from the InchGolden AgeInch of American music. So many similar projects were devoted through the years to white rock and rollers (even the most obscure and unknown) and very little to the people that not only InchoriginatedInch this music and played it long before white musicians started to fool around with it. They also continued to play it when black InchRhythm and BluesInch music was suddenly re-named InchRock and RollInch to appeal to a wider white audience in segregated America and became a multi-racial genre in the mid-1950s. Some tunes on InchBoss Black RockersInch are pretty well-known and some are pretty obscure - even if a lot of those were actually pretty popular in the 1950s among both black and white Rock and Roll fans. Most of the artists in this series were actually household names in the InchRock and Roll WorldInch of the '50s and early '60s. I sure hope with this great series to finally set things straight. After the massive success of this series on CD, we finally decided to InchBoss Black RockersInch on vinyl LPs, cherry-picking the best songs (a very hard task) from each and every volume. Dig it!

There are poets like the great Mary Oliver, who mightsuggest that one's primary function when moving through theworld, for as long as they have life and the ability to move throughthe world, is to play close attention to that which others may foolishlycall small, or quotidian. The brain and heart are both containers, withas much space as you wish for them to have, and to live is to createcollections of found affections. Sounds from your beloved andfamiliar blocks, movements of the trees and the people beneaththem, the way someone you adore may hold you for a few lingeringseconds before releasing from a hug and vanishing into a crowdedcrosswalk. To think of our living, our making, and our loving in thisway means that, at least for some of us, we may be propelled forwardby the prospect of what's next. What moment we can hold and placein our overflowing pockets.The work of Lonnie Holley is, for me, a work of this kind ofaccumulation and close attention. The delight of finding a soundand pressing it up against another found sound and another until,before a listener knows it, they are awash in a symphony of soundthat feels like it stitches together as it is washing over you. Tonky isan album that takes it's name from a childhood nickname that wasaffixed to Holley when he lived a portion of his childhood life in ahonky tonk. Lonnie Holley's life of survival and endurance is one thatrequired - and no doubt still requires - a kind of invention. Aninvention that is also rich and present in Holley's songs, which are fulland immersive on Tonky, an album that begins with it's longest song,a nine minute, exhaustive marathon of a tune called InchSeeds,Inch whichbegins with a single sparse sound and then expands. Chants, faintkeys, strings, and atop it all, Holley's voice, not singing, but speakingplainly about working the earth when he was young, the violence heendured in the proce

Rotunno,Carlo / Tempera,Vince Orchestra - Chi Si Vuol Bene Come Noi [COMPACT DISCS] Italy - Import date 09/13/2019