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The Context is a reverb pedal inspired by 1980's rack mount reverbs. It has 8 algorithms, including room, hall, cathedral, gated reverb, reverse reverb, plate, spring, and a granular reverb. Each algorithm features separate high and low frequency damping controls, pre-delay, modulation, dynamics (duck/expand), and infinite hold. In addition, delay is always available, along with tremolo in spring mode. The modulation knob changes the amount and character of the internal reverb modulation, specific to each algorithm. It gives you a mix of different modulation types from 1980's and early 90's reverbs, including chorus modulation, random modulation that keeps the pitch stable, and deep modulated reverbs. Holding down the shift button adjusts the modulation rate. Reverse reverb fades in louder and brighter over time, giving the impression of playing backwards. Modulation adds a wash of normal reverb. The spring reverb was designed using the techniques and algorithms that were used in 1980's reverbs, but with enough DSP power to drip and feel like a spring tank. You can adjust the length of the decay, high and low frequency damping. The modulation is tremolo with adjustable intensity and speed. Grain mode is a granular reverb inspired by the Ursa Major SST-282 Space Station. The SST-282 was released in 1978 and used multiple delay taps with modulation to create reverb effects. The Context can create ghostly reverb effects, slowly sweeping resonances, and at higher modulation settings is a multi-voice granular processor that creates clouds of detuned sound fragments for entirely new reverb sounds. When the shift button is held down, the top row of knobs adjust delay parameters. The low and high damping knobs adjust dynamics for ducking reverb or an expander for more reverb on louder notes, with adjustable threshold and recovery time. Holding down the foot switches gives you two different types of infinite sustain. One preset available on the left footswitch, 4 using a remote footswitch, and 127 via MIDI. The expression pedal can be assigned to any combination of parameters. We also have a web-based editor for tweaking and managing your presets. Designed and assembled in USA. The Context 2 requires a 9 V 250 mA center negative power supply (not included).
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The Context is a reverb pedal inspired by 1980's rack mount reverbs. It has 8 algorithms, including room, hall, cathedral, gated reverb, reverse reverb, plate, spring, and a granular reverb. Each algorithm features separate high and low frequency damping controls, pre-delay, modulation, dynamics (duck/expand), and infinite hold. In addition, delay is always available, along with tremolo in spring mode. The modulation knob changes the amount and character of the internal reverb modulation, specific to each algorithm. It gives you a mix of different modulation types from 1980's and early 90's reverbs, including chorus modulation, random modulation that keeps the pitch stable, and deep modulated reverbs. Holding down the shift button adjusts the modulation rate. Reverse reverb fades in louder and brighter over time, giving the impression of playing backwards. Modulation adds a wash of normal reverb. The spring reverb was designed using the techniques and algorithms that were used in 1980's reverbs, but with enough DSP power to drip and feel like a spring tank. You can adjust the length of the decay, high and low frequency damping. The modulation is tremolo with adjustable intensity and speed. Grain mode is a granular reverb inspired by the Ursa Major SST-282 Space Station. The SST-282 was released in 1978 and used multiple delay taps with modulation to create reverb effects. The Context can create ghostly reverb effects, slowly sweeping resonances, and at higher modulation settings is a multi-voice granular processor that creates clouds of detuned sound fragments for entirely new reverb sounds. When the shift button is held down, the top row of knobs adjust delay parameters. The low and high damping knobs adjust dynamics for ducking reverb or an expander for more reverb on louder notes, with adjustable threshold and recovery time. Holding down the foot switches gives you two different types of infinite sustain. One preset available on the left footswitch, 4 using a remote footswitch, and 127 via MIDI. The expression pedal can be assigned to any combination of parameters. We also have a web-based editor for tweaking and managing your presets. Designed and assembled in USA. The Context 2 requires a 9 V 250 mA center negative power supply (not included).

The Zoom MS-70CDR+ Multi-FX Pedal is a powerful, versatile effects processor offering 149 spatial effects, including 43 modulation effects like chorus, phaser, and flanger, 29 delays, 33 studio-quality reverbs, and 44 dynamics and filter effects such as EQs, compression, and noise reduction. Designed for guitars, synths, and line-level instruments, it features stereo input/output, flat-phase circuitry for precise attack and clean lows, and robust construction for touring. Up to six effects can be combined simultaneously, with 100 patch slots and 80 presets for easy tone creation. The pedal includes a built-in chromatic tuner, color-coded LCD screen, four multifunction encoders, and cross-key switches for intuitive control. USB-MIDI connectivity allows remote patch changes, and integration with the Handy Guitar Lab app expands your effect library. Flexible power options include USB bus power, two AA batteries, or a 9V adapter, making the MS-70CDR+ an ideal solution for live performance and studio recording, delivering rich, spacious, and customizable tones.

The Tensor gives you live reverse and tape stop effects, pitch shifting, time stretching and hold functions that you can combine in creative ways. Slow down, speed up and rewind in real time. Stretch or compress time with no pitch change. Loop, overdub, and randomly slice phrases up to 9.4 seconds (4.7 seconds in stereo). Intelligent randomization adapts to the knob settings. The results range from occasional CD skips, stutters, and rhythmic repeats to random slicing and erratic pitch shifts. Both foot switches have momentary and latching modes to inject pitch jumps, glitches, or instantly rewind what you just played. The Tensor(TM) is in a pedalboard-friendly enclosure with all jacks on top. All controls are immediately accessible with well-spaced knobs for live tweaking, and USB MIDI for recording and sequencing. Features: · Tape speed from reverse to stop to forward · Realtime time stretch up to 4:1 · Loop time compression and stretch from 1:4 to 4:1 · Pitch shift from -2 to +2 octaves · Intelligent randomization · Overdub, replace, and dual buffer (next) loop modes · Forward/alternate/reverse loop direction · Additional looping functions via remote switch or MIDI · Momentary or latching foot switches · Assignable expression pedal, remote switch, remote tap, or MIDI port · +5.5 dBu maximum input level (adjustable to +8 dBu) · Stereo input/output (TRS) · MIDI (USB and TRS) · Web-based editor for editing presets and accessing hidden parameters

The Analog Multi FX is an authentic analog multi effects pedal equipped with everything you need to get the job done on stage and in the studio. It's got a switchless optical wah, distortion, effects loop, stereo chorus, and echo. Even better, these are reissues of classic Morley circuits leading all the way back to the 1970s. And speaking of the '70s, it also has a new finish that pays homage to the original chrome Morley pedals. It's heavy-duty spun stainless steel that's built like a tank and looks great under stage lights. Each one is hand spun at Morley's Illinois facility.