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The Context is a reverb pedal inspired by 1980's rack mount reverbs. It has 8 algorithms, including room, hall, cathedral, gated reverb, reverse reverb, plate, spring, and a granular reverb. Each algorithm features separate high and low frequency damping controls, pre-delay, modulation, dynamics (duck/expand), and infinite hold. In addition, delay is always available, along with tremolo in spring mode. The modulation knob changes the amount and character of the internal reverb modulation, specific to each algorithm. It gives you a mix of different modulation types from 1980's and early 90's reverbs, including chorus modulation, random modulation that keeps the pitch stable, and deep modulated reverbs. Holding down the shift button adjusts the modulation rate. Reverse reverb fades in louder and brighter over time, giving the impression of playing backwards. Modulation adds a wash of normal reverb. The spring reverb was designed using the techniques and algorithms that were used in 1980's reverbs, but with enough DSP power to drip and feel like a spring tank. You can adjust the length of the decay, high and low frequency damping. The modulation is tremolo with adjustable intensity and speed. Grain mode is a granular reverb inspired by the Ursa Major SST-282 Space Station. The SST-282 was released in 1978 and used multiple delay taps with modulation to create reverb effects. The Context can create ghostly reverb effects, slowly sweeping resonances, and at higher modulation settings is a multi-voice granular processor that creates clouds of detuned sound fragments for entirely new reverb sounds. When the shift button is held down, the top row of knobs adjust delay parameters. The low and high damping knobs adjust dynamics for ducking reverb or an expander for more reverb on louder notes, with adjustable threshold and recovery time. Holding down the foot switches gives you two different types of infinite sustain. One preset available on the left footswitch, 4 using a remote footswitch, and 127 via MIDI. The expression pedal can be assigned to any combination of parameters. We also have a web-based editor for tweaking and managing your presets. Designed and assembled in USA. The Context 2 requires a 9 V 250 mA center negative power supply (not included).
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The Context is a reverb pedal inspired by 1980's rack mount reverbs. It has 8 algorithms, including room, hall, cathedral, gated reverb, reverse reverb, plate, spring, and a granular reverb. Each algorithm features separate high and low frequency damping controls, pre-delay, modulation, dynamics (duck/expand), and infinite hold. In addition, delay is always available, along with tremolo in spring mode. The modulation knob changes the amount and character of the internal reverb modulation, specific to each algorithm. It gives you a mix of different modulation types from 1980's and early 90's reverbs, including chorus modulation, random modulation that keeps the pitch stable, and deep modulated reverbs. Holding down the shift button adjusts the modulation rate. Reverse reverb fades in louder and brighter over time, giving the impression of playing backwards. Modulation adds a wash of normal reverb. The spring reverb was designed using the techniques and algorithms that were used in 1980's reverbs, but with enough DSP power to drip and feel like a spring tank. You can adjust the length of the decay, high and low frequency damping. The modulation is tremolo with adjustable intensity and speed. Grain mode is a granular reverb inspired by the Ursa Major SST-282 Space Station. The SST-282 was released in 1978 and used multiple delay taps with modulation to create reverb effects. The Context can create ghostly reverb effects, slowly sweeping resonances, and at higher modulation settings is a multi-voice granular processor that creates clouds of detuned sound fragments for entirely new reverb sounds. When the shift button is held down, the top row of knobs adjust delay parameters. The low and high damping knobs adjust dynamics for ducking reverb or an expander for more reverb on louder notes, with adjustable threshold and recovery time. Holding down the foot switches gives you two different types of infinite sustain. One preset available on the left footswitch, 4 using a remote footswitch, and 127 via MIDI. The expression pedal can be assigned to any combination of parameters. We also have a web-based editor for tweaking and managing your presets. Designed and assembled in USA. The Context 2 requires a 9 V 250 mA center negative power supply (not included).

The Tensor gives you live reverse and tape stop effects, pitch shifting, time stretching and hold functions that you can combine in creative ways. Slow down, speed up and rewind in real time. Stretch or compress time with no pitch change. Loop, overdub, and randomly slice phrases up to 9.4 seconds (4.7 seconds in stereo). Intelligent randomization adapts to the knob settings. The results range from occasional CD skips, stutters, and rhythmic repeats to random slicing and erratic pitch shifts. Both foot switches have momentary and latching modes to inject pitch jumps, glitches, or instantly rewind what you just played. The Tensor(TM) is in a pedalboard-friendly enclosure with all jacks on top. All controls are immediately accessible with well-spaced knobs for live tweaking, and USB MIDI for recording and sequencing. Features: · Tape speed from reverse to stop to forward · Realtime time stretch up to 4:1 · Loop time compression and stretch from 1:4 to 4:1 · Pitch shift from -2 to +2 octaves · Intelligent randomization · Overdub, replace, and dual buffer (next) loop modes · Forward/alternate/reverse loop direction · Additional looping functions via remote switch or MIDI · Momentary or latching foot switches · Assignable expression pedal, remote switch, remote tap, or MIDI port · +5.5 dBu maximum input level (adjustable to +8 dBu) · Stereo input/output (TRS) · MIDI (USB and TRS) · Web-based editor for editing presets and accessing hidden parameters

The polyphonic EHX SYNTH9 Synthesizer Machine transforms your guitar or bass with 9 presets that were precisely tuned to emulate the most sought after, vintage synthesizer sounds ever! From searing lead synths to spacey synth pads and deep, funky, synth bass grooves, it's all accessible. The SYNTH9 is also super easy to use with DRY volume, SYNTH, CTRL1 and CTRL2 knobs that provide precise control over each preset's parameters. If you dig the kind of classic synth sounds made famous on recordings by groups like ELP, EVH, Kraftwerk, Joy Division, P-Funk, Peter Gabriel and more, we think you'll love the SYNTH9. Features: Transforms the tone of your guitar or bass into that of a vintage synthesizer · 9 presets that were created to emulate many of the most popular synthesizer sounds ever · Works on guitar or bass without modifications, special pickups or MIDI implementation · The SYNTH9'S usable tracking range extends up to about the 23rd fret on the high E string of a standard guitar and down to the open A string on a bass guitar · Use the SYNTH9 with a B9 or C9 Organ Machine as well as the KEY9 Electric Piano Machine and MEL9 Tape Relay Machine to create your own mega-keyboard setup · Power adapter included

The Donner White Tape is a stereo tape delay pedal that masterfully emulates legendary classic tape echo machines for an authentic vintage sound experience. It features independent Time, Feedback, and Level controls for each channel with an intuitive 3-knob interface, giving your tone space and depth in stereo setups. With a versatile delay range from 25ms to 1000ms per channel, it’s ideal for quick slapbacks to lush, long echoes across different guitar styles. The pedal delivers rich, organic tones with warm tape decay and can boost clean signals or add mild, crunchy overdrive. Its analog dry signal path and true bypass maintain your guitar’s natural characteristics without coloration. Suitable for guitars, synths, drum machines, and more, it’s a valuable tool for any musician seeking iconic tape echo sounds.