The Veils - Nux Vomica (nick Launay Mixes) - VINYL LP
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It's been seven strange years since The Veils' last studio album Total Depravity, and Finn Andrews has a new double album to show for it. ... And Out Of The Void Came Love is the result of this tumultuous period of injury, isolation and new life. Following the of Total Depravity, Andrews released a solo album and began a worldwide tour. One night, while lashing out at a particularly intense moment on piano, he broke his wrist on stage. He played on and finished the rest of the tour, but it wasn't until he got it examined much later that he realized what a bad move that was. The convalescence that followed meant a lengthy hiatus from touring, so he did what he does best and stayed at home and wrote songs. Just when his hand had healed sufficiently for him to play again, The Veils found themselves in need of a new record tag, but Finn set about starting to make a new record regardless. Producer Tom Healy invited Finn to his small studio underneath the old Crystal Palace ballroom in Mount Eden, and they listened through the legions of songs he had amassed throughout the previous year. Following another two years of intermittent recording between lockdowns, Finn's wife became pregnant, and yet more songs started coming. By the time the songs had been recorded, it was clear that arranging the album into two halves best suited such varied material-but the meaning of the songs as a whole still eluded Andrews. The result of all these years of questioning, confinement and precarious uncertainty is this magnificent new double album. It is an album intended to be listened to in two sittings with a short break in the middle. Composer Victoria Kelly's soaring string arrangements play an integral role in bringing the songs to life, as do musicians Cass Basil (bass), Dan Raishbrook (lap steel, guitar), Liam Gerrard (piano), Joseph McCallum (drums), the NZTrio and special guests th
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- GenreRockDescriptionIt's been seven strange years since The Veils' last studio album Total Depravity, and Finn Andrews has a new double album to show for it. ... And Out Of The Void Came Love is the result of this tumultuous period of injury, isolation and new life. Following the of Total Depravity, Andrews released a solo album and began a worldwide tour. One night, while lashing out at a particularly intense moment on piano, he broke his wrist on stage. He played on and finished the rest of the tour, but it wasn't until he got it examined much later that he realized what a bad move that was. The convalescence that followed meant a lengthy hiatus from touring, so he did what he does best and stayed at home and wrote songs. Just when his hand had healed sufficiently for him to play again, The Veils found themselves in need of a new record tag, but Finn set about starting to make a new record regardless. Producer Tom Healy invited Finn to his small studio underneath the old Crystal Palace ballroom in Mount Eden, and they listened through the legions of songs he had amassed throughout the previous year. Following another two years of intermittent recording between lockdowns, Finn's wife became pregnant, and yet more songs started coming. By the time the songs had been recorded, it was clear that arranging the album into two halves best suited such varied material-but the meaning of the songs as a whole still eluded Andrews. The result of all these years of questioning, confinement and precarious uncertainty is this magnificent new double album. It is an album intended to be listened to in two sittings with a short break in the middle. Composer Victoria Kelly's soaring string arrangements play an integral role in bringing the songs to life, as do musicians Cass Basil (bass), Dan Raishbrook (lap steel, guitar), Liam Gerrard (piano), Joseph McCallum (drums), the NZTrio and special guests thArtistThe VeilsTitleNux Vomica (nick Launay Mixes)FormatVINYLLabelBa Da Bing
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It's been seven strange years since The Veils' last studio album Total Depravity, and Finn Andrews has a new double album to show for it. ... And Out Of The Void Came Love is the result of this tumultuous period of injury, isolation and new life. Following the of Total Depravity, Andrews released a solo album and began a worldwide tour. One night, while lashing out at a particularly intense moment on piano, he broke his wrist on stage. He played on and finished the rest of the tour, but it wasn't until he got it examined much later that he realized what a bad move that was. The convalescence that followed meant a lengthy hiatus from touring, so he did what he does best and stayed at home and wrote songs. Just when his hand had healed sufficiently for him to play again, The Veils found themselves in need of a new record tag, but Finn set about starting to make a new record regardless. Producer Tom Healy invited Finn to his small studio underneath the old Crystal Palace ballroom in Mount Eden, and they listened through the legions of songs he had amassed throughout the previous year. Following another two years of intermittent recording between lockdowns, Finn's wife became pregnant, and yet more songs started coming. By the time the songs had been recorded, it was clear that arranging the album into two halves best suited such varied material-but the meaning of the songs as a whole still eluded Andrews. The result of all these years of questioning, confinement and precarious uncertainty is this magnificent new double album. It is an album intended to be listened to in two sittings with a short break in the middle. Composer Victoria Kelly's soaring string arrangements play an integral role in bringing the songs to life, as do musicians Cass Basil (bass), Dan Raishbrook (lap steel, guitar), Liam Gerrard (piano), Joseph McCallum (drums), the NZTrio and special guests th
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In spite of the predominance of the opera in Italy during the nineteenth century, chamber music and symphonic music had never died out in the musical world. The Inchfather of the operaInch had a mastery of instrumental effects and a command of formal balance that made it possible for him to nourish his music with instrumental inspiration coming from chamber music. And the succession of Rossini, Donizetti, Bellini and Verdi, side by side with the new generations of Ponchielli, Catalani, Mancinelli, down to Puccini, Perosi and Mascagni, created the preconditions for the birth and development of the chamber-music genre. This was strengthened also by some chamber-music and vocal influences that had even antagonised the domination of belcanto and operatic singing. Though never actually becoming an attention-seeking attitude, creativeness, a majestic jargon that appeared in many composers ranging from Corelli to Paganini, from Scarlatti to Clementi and many others, became such a noble, brilliant language as to stand out as an original, lofty expression in the crowded maelstrom of operatic theatre. As admirable examples of this we can mention the quartets of Cherubini and Donizetti, that were splendidly assimilated by Bazzini, reaching the original examples of the contributions of Sgambati and Martucci, which appeared a few decades before the creative works of Marco Enrico Bossi.Giulio Giurato and Roberto Noferini conclude with this production the complete publication of Marco Enrico Bossi'schamber music (Tactus tc 822704, 822606, 822707).
Asphodels, the seventh studio album from The Veils, was recorded live to tape over five days at Roundhead Studios in Aotearoa New Zealand.The album takes it's name from the Ancient Greek flower of the Underworld, and lyrically, Andrews draws more from the great poets than he does from the well of more traditional rock and roll songwriters.The collaboration between Andrews and string arranger Victoria Kelly is a central aspect of the record, and as with the band's previous album... And Out Of The Void Came Love, Kelly plays an integral role in bringing the songs to life.The result is a record that possesses the quiet, hard-earned confidence of restraint and that carefully chooses it's moments to lift the roof and howl up to the heavens
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