Tia Rosa - Thirteen Automatic Dreams - VINYL LP

Marysia Osu's debut album, Inchharp, beats & dreams,Inch is a captivating journey of self-exploration and emotional expression, blending classical harp with innovative electronic production. A graduate of Brownswood's 'Bubblers' academy and a key member of Levitation Orchestra, Marysia brings a unique background, including a classical music degree from Trinity Laban. The album, entirely homemade, captures intimate moments and raw emotions, featuring notable tracks like Inchseatime,Inch which celebrates self-acceptance, and Inchmemento mori,Inch inspired by stoic philosophy. Collaborations with artists such as Emma Barnaby (cello), YUIS (flute), and Plumm (clarinet) enrich the project, which reflects Marysia's classical training infused with modern experimental sounds. The album offers an absorbing and elevating listening experience, perfect for those seeking a peaceful, calming sonic sanctuary in an uncertain world.

180-gram black vinyl. Hasta la Raíz is the fifth studio album by Mexican singer-songwriter Natalia Lafourcade, released on March 17, 2015. The album received widespread critical acclaim and won numerous awards, including the Grammy Award for Best Latin Rock, Urban or Alternative Album in 2016. The album peaked at #8 in the US Billboard Latin Albums and at #1 in Mexican Album chart becoming the 6th best-selling album in Mexico in 2015. The title track, InchHasta la RaízInch, became one of Lafourcade's most popular songs, showcasing her signature blend of folk, pop, and Latin American influences. The album is known for it's introspective lyrics, rich instrumentation, and Lafourcade's emotive vocals.

It's sometimes good to keep admirers at a distance. For her Inchcome-backInch album, Brisa Roche follows this rule to the letter. After four albums in France, she returned to her native California - not the one with six-lane highways and palm trees, but the one up north, where mountain lions roam, and sequoias tower. There, hidden in her home-studio, she channeled song after song, inspired by tracks arriving from producers all over the world.The Invisible 1 album is titled as such because anything is possible when limitations imposed by a studio setting are discarded, when judgments and timidity are veiled by distance, when collaborations multiply across the waves, when intimacy with strangers makes art. Brisa writes quickly, urgent with the novelty of imported sounds and privacy, 40 melodic arrangements, 40 stories told, narrowed down now to a 14-song album with two sides, upon which two sides of her personality dance.