Mabumi Yamaguchi - After The Rain - VINYL LP

Aja Monet is a Surrealist Blues Poet in the business of goosebumps and heart-gut-telling truths. Her poems are harmolodic, vulnerable, and insurgent. As the youngest recipient of the Nuyorican Grand Slam Poetry title, she first cut her teeth in New York City's Lower East Side poetry clubs and bars, honing her voice and craft on the storied stages of a burgeoning grassroots poetry movement. She follows in the long legacy and tradition of poets organizing in social movements for change. Her collaborative spirit has seen her shape and shift culture alongside internationally renowned artists, scholars, activists, and organizers.aja's first full collection of poems, my mother was a freedom fighter (2017), is a powerful tribute to women who embody freedom, earning a nomination for a NAACP Image Award for Poetry. Her debut poetry album, when the poems do what they do, was nominated for a Grammy Best Spoken Word Poetry Album in 2024. The album explores themes of resistance, love, and the inexhaustible quest for joy. As a poet and touring bandleader, she has performed at festivals, concert halls, and theaters across the globe including but not limited to, the Guggenheim, Lincoln Center, Newport Jazz Festival, Montreal Jazz Festival, North Sea Jazz Festival, Fremantle Biennele and the Barbican Centre to name a few.Aja Monet's awards include the Marjory Stoneman Douglas Award for Poetry (2019), the Nelson Mandela Changemaker Award (2024), The Harry Belafonte Voices for Social Justice Award (2024), the EBONY 100 Artist In Residence Award, and the Malcolm X & Dr. Betty Shabazz Vanguard Award (2025). She also serves as the Artistic Creative Director for V-Day, a global movement to end violence against women and girls. In 2022, she created InchVOICES,Inch an audio play amplifying the stories of Black women across the diaspora and the African continent.Aja Monet's most recent book of

From Tsugaru, the birthplace of Tomokawa Kazuki and Mikami Hiroshi, comes Osorezan, Itako, Nebuta, Kesho Jizo... A super intense work left behind in 1978 by Furukawa Mibu, the Orpheus (mind) of Mutsu, who sings of the magical machinery that connects this world and the next! A shocking analog LP reissue! Mibu, who is also a poet, pretends to be the dead in order to live on as the skin of his younger brother (Mibu), who died at the age of three. The song becomes a prayer and a cry, dancing wildly through this world and being sucked into the afterlife. Fringe music with such intensity. The soul is revived precisely because it is analog. This incredible masterpiece was selected as one of the InchNew Masterpieces of Japan 1970-89Inch in the November 2011 issue of InchRecocolle,Inch and is too good to be forgotten! This elusive album, produced in 1978 and only available as an independent , is finally being reissued! Comes with a 20-page explanatory booklet, InchMibu To the Wind and Earth of TsugaruInch.

Arthur Honegger's song output falls into two distinct periods. The first spans his apprentice years from 1914 - the date of the first of the 4 Poemes H.7 - to 1924. He returned to art song on the eve of the Second World War, and Eleni-Lydia Stamellou sings two further sets of songs originally conceived as film accompaniments. In the 4 Poems there is a Debussyan turn to the harmony which mirrors the symbolist flavour of the text. More distinct from the model of Debussy is the album's title track, 'Petite Chapelle', with it's avowedly spiritual character. Honegger conceived his 3 Poemes de Paul Fort in the autumn of 1916. Here the relationship between music and text is more directly illustrative, as in the distant hunting horns to accompany the hunter lost in the forest. From February 1917, Nature morte stands alone as a musical still-life, a brief sketch of a bowl of peaches and white grapes. No less epigrammatic, but more musically adventurous as befitting the text, are Honegger's settings of the 6 Poemes d'Apollinaire which he composed between August 1915 and March 1917. But, for all Apollinaire's influence over the composers of 'Les Six' - Honegger included - Jean Cocteau was far more instrumental in determining their aesthetic aims. And though it was Apollinaire who had coined sur-realisme in response to seeing the premiere of Satie's ballet Parade in 1917, this new, mischievous spirit courses through Honegger's deft settings of Cocteau. Honegger makes a sincere tribute to one of France's most celebrated Renaissance-era poets in the Chanson de Ronsard from February 1924. From 1926, the 3 Chansons de La Petite Sirene feature whole-tone rising harmonies in the opening song, and the even briefer companions uphold a Satie-like inscrutability.At this point, Honegger continued in vocal music (operas, operettas and oratorio) but left song alone. However, in 1937, his soun