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Martin Roscoe - Lloyd: The Piano Concertos - COMPACT DISCS [CD]

SKU: 10625276

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If the first three piano concertos have the heft and communicative power of Lloyd's larger middle-period symphonies, the Fourth has a close affinity to the Ninth Symphony, which was completed the previous year. Both pieces exhibit an impish sense of fun, tempered by profound feelings of yearning and regret. George Lloyd approached the piano concerto form with imagination and individuality. His idiomatic solo writing avoids shallow virtuosity and empty rhetoric and there are no mighty tussles between piano and orchestral forces encountered in archetypal large-scale concertante scores. Instead, the composer offers a series of deeply personal attempts to reconcile time-honoured elements of display with symphonic preoccupations of long-range tonality, rhythmic energy and melodic growth. In sum, Lloyd's four piano concertos constitute a compelling and distinctive branch of his creative legacy. © Paul Conway Album Tracks 1. 'Scapegoat' (Piano Concerto No. 1)~Lento enfatico - Largamente 7. Piano Concerto No. 3~II. Lento 5. Piano Concerto No. 4~I. Allegro

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  • Genre
    Classical
    Description
    If the first three piano concertos have the heft and communicative power of Lloyd's larger middle-period symphonies, the Fourth has a close affinity to the Ninth Symphony, which was completed the previous year. Both pieces exhibit an impish sense of fun, tempered by profound feelings of yearning and regret. George Lloyd approached the piano concerto form with imagination and individuality. His idiomatic solo writing avoids shallow virtuosity and empty rhetoric and there are no mighty tussles between piano and orchestral forces encountered in archetypal large-scale concertante scores. Instead, the composer offers a series of deeply personal attempts to reconcile time-honoured elements of display with symphonic preoccupations of long-range tonality, rhythmic energy and melodic growth. In sum, Lloyd's four piano concertos constitute a compelling and distinctive branch of his creative legacy. © Paul Conway Album Tracks 1. 'Scapegoat' (Piano Concerto No. 1)~Lento enfatico - Largamente 7. Piano Concerto No. 3~II. Lento 5. Piano Concerto No. 4~I. Allegro
    Artist
    Martin Roscoe
    Title
    Lloyd: The Piano Concertos
    Format
    CD
    Label
    Lyrita
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If the first three piano concertos have the heft and communicative power of Lloyd's larger middle-period symphonies, the Fourth has a close affinity to the Ninth Symphony, which was completed the previous year. Both pieces exhibit an impish sense of fun, tempered by profound feelings of yearning and regret. George Lloyd approached the piano concerto form with imagination and individuality. His idiomatic solo writing avoids shallow virtuosity and empty rhetoric and there are no mighty tussles between piano and orchestral forces encountered in archetypal large-scale concertante scores. Instead, the composer offers a series of deeply personal attempts to reconcile time-honoured elements of display with symphonic preoccupations of long-range tonality, rhythmic energy and melodic growth. In sum, Lloyd's four piano concertos constitute a compelling and distinctive branch of his creative legacy. © Paul Conway Album Tracks 1. 'Scapegoat' (Piano Concerto No. 1)~Lento enfatico - Largamente 7. Piano Concerto No. 3~II. Lento 5. Piano Concerto No. 4~I. Allegro

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