Shutter Island - 4K Blu-Ray [4K Ultra HD Blu-ray]

This is an amazing and exciting opportunity for enjoy an awesome thriller movie. This product has avance technology. Bestbuy is the best place and option for buy technical products. You always offer an excellent customer service for our community. Thanks to you and to your team members, please stay with us for long time.

This film often gets forgotten because Scorsese has made so many classics. This is one of those films that rewards rewatching. The 4K transfer makes the great constrasty cinematography really shine.

Watching the trailers for SHUTTER ISLAND I feared it might’ve suffered from what I like to call the “Hambone Twist”. You know the cheap twist at the end where everything that happened to our main character didn’t really happen but was either a dream or all in the head of another personality etc… The ‘Hambone Twist’ is usually explained through quick flashbacks where we see the images of what we thought were something, become something they apparently were in REALITY. Thankfully SHUTTER ISLAND doesn’t go that route. Without giving things away, Scorsese’s latest, dubbed a ‘Gothic Horror suspense thriller’ is one of the smartest, thought-provoking and semi-avant garde films I’ve ever seen. He successfully creates a mood and psychological world that is able to be both lived in along with Teddy Daniels (LEONARDO DICAPRIO) and interpreted throughout. It’s a B-movie concept given an A-List treatment, interwoven with psychological paranoia and the visual flair of a true master. Scorsese is clearly a big fan of Asian Cinema and of the idea of dreams and reality plus the psychological aspects that surround them. He even played Vincent Van Gough in Kurosawa’s “Dreams” Back in 1990. Here he uses every inch of his imagination as a narrative filmmaker, his love of music and production design and Leonardo Dicaprio’s capacity as an actor to create a memorable, challenging and oddly beautiful view of insanity and the devastation that surrounds it. Thelmaker Schoonmaker (in her 22nd collaboration with Scorsese) officially rings in the new decade as the premier “auteur” editor of our time. In order to enjoy or at least appreciate the film I think you do have to participate and doubt yourself and ask questions and be as involving as you can. The only thing there is no doubt about is that Scorsese was having boat loads of fun manipulating the audience, creating dream sequences and challenging the minds and sanity of the viewer. He does this in one of the most profoundly original ways I seen. The fact that we may walk out feeling we’re unsure or crazy like the mind of our protagonist is proof that the film is a success. The film hasn’t left my mind and has already spawned countless conversations with other viewers. In a time where so many things are forgotten so quickly, that’s something special.

I tend to look for movies that draw me in and that provoke an emotional response. Martin Scorcese's "Shutter Island" did indeed draw me in, even though I found the film disturbing. Scorcese explores difficult questions of guilt, personal identity, and mind control. The movie takes place in 1954 on a craggy, remote and forbidding island off the coast of Boston. (I have some familiarity with a United States possession called Navassa, an uninhabited, little-known island in the Carribean surrounded by steep, inaccessible cliffs and was reminded of Navassa by the movie.) Shutter Island serves as a hospital and prison for the criminally insane operated by the United States government. A United States Marshall, Teddy Daniels, and his ostensible partner, Chuck Aule, who calls Daniels "boss", are ferried to Shutter Island to investigate the disappearance of a female inmate who has apparently escaped. The inmate is said to have drowned her three children before her incarceration. Daniels himself carries with him many emotional issues. He witnessed the liberation of the Dachau concentration camp and has had problems with alcohol. His wife died in a fire set by an arsonist. Daniels sought an assignment to Shutter Island because the arsonist and another individual from Daniels' past are incarcerated there, and Daniels wanted to see for himself what was going on. At the hospital, Daniels meets the head psychiatrist, a bearded, crafty and intelligent individual named Cawley, and his sinister German assistant, Nehring. He meets with staff, with prisoners, both male and female, and with inmates of the "C" ward, used to house the most dangerous prisoners. As the movie progresses, Daniels suffers increasingly from tremors and from hallucinations, most of which are in the form of his dead wife warning him about the island. Daniels also receives warnings and augurs from the patients. He senses that something is not right about the investigation but cannot let it go. The movie has the makings of a gothic horror film, but it gets beyond that genre by its seriousness and development. The movie builds slowly and inexorably to itconclusion and most parts of the story contribute to the effectiveness of the whole. The feeling of isolation and doom is inescapable, with a mental hospital on a remote island, a hurricane which cuts the Shutter Island off even further from the mainland, and the chilling, hidden natures of staff and inmates on the island. The movie includes scenes of cliffs and danger on the island, pounding waves, wild rats, a mysterious lighthouse, and lost souls. A difficult and troubled individual, Daniels comes to challenge his understanding of himself in a radical way. I found the confusion in sense of selfhood, in circumstances of isolation and helplessness, chilling. The movie is based upon a 2003 novel by Dennis Lahane called "Shutter Island" which I have not read. The acting is convincing throughout and the musical background is erie. The movie has received mixed reviews. Scorsese's movies such as "Taxi Driver", "Raging Bull" and "Gangs of New York" with their portrayal of violence, illusion, and rawness have always fascinated me. "Shutter Island" did so as well. The movie has attained a large success at the box office, and perhaps can be viewed and responded to on many levels. I don't think it is for the faint at heart.

I have now watched this film 14 times and on the 14th viewing I truly discovered how beautiful this movie was. I then called my mother and told her I loved her. Then I cried myself to sleep.