TASCAM - 6-Track Audio Recorder for Select DSLR Cameras - Black

Record and mix high-quality sound for video production with this Tascam six-track recorder. The HDMI clock synchronization keeps audio files perfectly timed to your videos for quick editing, and the cascade feature lets you add more tracks with additional units. This Tascam six-track recorder has a magnesium-alloy chassis for lightweight durability.

• Compatible with select DSLR cameras: Including Panasonic DC-GH5S, AG-DVX200, AG-UX180, AG-UX90, DMC-GH4, DC-GH5, HC-X1000; Sony PXW-FS5, NEX-FS700, NEX-FS100, α9, α7S II, α7R II, α7S, α7 II, DSC-RX10M2; JVC GY-LS300;
• Six-track recording (four tracks + L/R stereo mix): Using the built-in mixer, four tracks and their stereo mix (six tracks total) can be recorded simultaneously.
• HDMI video clock synchronization: The HDMI input and output allow the DR-701D's internal clock and the camera to be digitally synchronized.
• One-button recordings: Unlike other systems that force you to press record on both devices, the HDMI start system prevents missed takes, synchronizes two recording starts together, and makes single-operator shoots much easier.
• Cascade feature for additional track recording: By connecting multiple units using HDMI, slave DR-701D units can be made to follow the master unit to start and stop recording simultaneously.
• SMPTE timecode stores time data in recorded audio files: The built-in SMPTE generator allows the camera and DR-701D to store the same location reference. Several options are available to integrate SMPTE LTC into your camera system.
• High-quality HDDA mic preamps: Resolutions up to 96kHz/24-bit are supported when recording six tracks and 192kHz/24-bit when recording two tracks.
• Multiple mic inputs support various on-set recording options: Four XLR/TRS inputs can be adjusted and recorded independently. Talent can be recorded using shotgun mics, lavaliers, or both simultaneously.
• Multiband limiter and five-stage low-cut filter built in: The limiter function automatically adjusts excessive input levels and can operate independently on each of four inputs.
• Dual-recording function: Dual recording captures a safety track at a level 6 to 12dB lower than the main track. In case of sudden volume changes on-set, the safety track makes sure that you have an undistorted take.
• Compatible with select DSLR cameras: Including Panasonic DC-GH5S, AG-DVX200, AG-UX180, AG-UX90, DMC-GH4, DC-GH5, HC-X1000; Sony PXW-FS5, NEX-FS700, NEX-FS100, α9, α7S II, α7R II, α7S, α7 II, DSC-RX10M2; JVC GY-LS300;
• Six-track recording (four tracks + L/R stereo mix): Using the built-in mixer, four tracks and their stereo mix (six tracks total) can be recorded simultaneously.
• HDMI video clock synchronization: The HDMI input and output allow the DR-701D's internal clock and the camera to be digitally synchronized.
• One-button recordings: Unlike other systems that force you to press record on both devices, the HDMI start system prevents missed takes, synchronizes two recording starts together, and makes single-operator shoots much easier.
• Cascade feature for additional track recording: By connecting multiple units using HDMI, slave DR-701D units can be made to follow the master unit to start and stop recording simultaneously.
• SMPTE timecode stores time data in recorded audio files: The built-in SMPTE generator allows the camera and DR-701D to store the same location reference. Several options are available to integrate SMPTE LTC into your camera system.
• High-quality HDDA mic preamps: Resolutions up to 96kHz/24-bit are supported when recording six tracks and 192kHz/24-bit when recording two tracks.
• Multiple mic inputs support various on-set recording options: Four XLR/TRS inputs can be adjusted and recorded independently. Talent can be recorded using shotgun mics, lavaliers, or both simultaneously.
• Multiband limiter and five-stage low-cut filter built in: The limiter function automatically adjusts excessive input levels and can operate independently on each of four inputs.
• Dual-recording function: Dual recording captures a safety track at a level 6 to 12dB lower than the main track. In case of sudden volume changes on-set, the safety track makes sure that you have an undistorted take.