Agnes Luchterhandt - Arp-Schnitger Organ - SUPER-AUDIO CD [Super Audio CD (SACD)]

Jan Albert van Eyken studied at the Leipzig Conservatory from 1845 to 1846 and became organist at the Remonstrants Church in Amsterdam in 1848, at the Zuiderkerk in Rotterdam from 1853 and at the Reformed Church in Elberfeld from April 1854. Among his admirers was Robert Schumann. Schumann later wrote to Joseph Joachim InchHe plays quite splendidly; in Rotterdam I heard him play fugues by Bach, also BACH fugues [by Schumann], the first and the last, on an organ worthy of him.Inch Not far from Van Eyken's later place of work in Elberfeld was the headquarters of the organ-building firm of Richard Ibach (Oberbarmen), which built the magnificent organ for Bergen op Zoom four years before Van Eyken's death a great early Romantic instrument on which Ute Gremmel-Geuchen brings out the best in the three great organ sonatas and other works by the composer.

2016 two CD live archive . A new discovery in the vaults, this previously uncirculated gem features the classic mid-70's Jerry Garcia Band treats such as 'Ride Mighty High' and 'Mission in the Rain.' The set showcases the quintessential Jerry Garcia Band, Donna and Keith Godchaux, John Kahn, and Ron Tutt. Album Tracks 1. The Way You Do the Things You Do (Smokey Robinson, Bobby Rogers) 9 00 2. Knockin' on Heaven's Door (Bob Dylan) 14 14 3. After Midnight (J. J. Cale) 13 50 4. Who Was John? (Traditional) 14 28 5. Mission in the Rain (Jerry Garcia, Robert Hunter) 8 21 6. Stir It Up (Bob Marley) 12 21 1. Midnight Moonlight (Peter Rowan) 9 25 2. Tore Up Over You (Hank Ballard) 10 43 3. Friend of the Devil (Garcia, John Dawson, Hunter) 7 54 4. Don't Let Go (Jesse Stone) 22 23 5. Strange Man (Dorothy Love Coates) 6 10 6. Stop That Train (Peter Tosh) 11 44 7. Ride Mighty High (Dave Crawford) 9 02

A double stroke of luck the Sauer organ in the InchGlockeInch concert hall in Bremen has survived almost unchanged since 1928, despite all attempts to adapt the instrument to contemporary taste and fashion. The original pitch of 435 Hz has also been preserved - actually too low for ensemble playing today. However, the Franz Kuhn Trombone Quartet led by the enterprising Juan Gonzáles Martínez can fall back on an original trombone set from the 1920s. With this and together with organist Lea Suter, the four gentlemen bring remarkable literature from the heyday of virtuoso trombone playing to life in an authentic way. A wonderful addition to the first organ recital on the previous album. For a long time, cantabile playing in particular was denied the trombone. It was the then acclaimed virtuoso Paul Weschke who was the first professor in Germany to revolutionize trombone playing. Weschke added instructions for innovative playing techniques to his numerous transcriptions; thus legato became possible without producing a glissando - an indispensable prerequisite for vocal playing. Together with the romantic trombone instrument developed by Franz Kuhn, Weschke's pioneering playing techniques produce an immensely colorful sound that harmonizes most advantageously with the warmth of the Sauer organ in Bremen's InchGlockeInch. This can be experienced excellently in the arrangements from Rossini to Reger, which were found in Weschke's extensive archive and are performed by Martínez and Suter with style and admirable esprit. The trombone quartets by Arno Hansen and August Hänsel are an ideal complement to the virtuoso program, allowing us to immerse ourselves in a world of sound long thought to be past. In the carefully balanced and spatially impressive recording, it can be grasped with the ears - just like the dimensions of this special organ in one of the most beautiful concert