Anomynous / Frescobaldi / Di Lernia / Magarelli - Affetti e Tastiature - COMPACT DISCS [CD]

Album Tracks 1. Londonderry Air (Danny Boy), Folk Song 2. Chanson Triste for Double-Bass & Piano, Op. 2 3. Gavotte for Double Bass & Piano 4. Melody in F, Instrumental Arrangement, Op. 3/1 5. Concert-Polka, for 2 Violins 6. Méditation, for Violin & Orchestra (Or Other Arrangement) (From Opera 'Thaïs') 7. Gianni Schicchi, Opera Aria. O Mio Babbino Caro 8. Work(S) Czardas 9. Serenade for Voice & Piano (Or Orchestra) ('Rimpianto'), Op. 6/1 10. Nocturne No.5, for Piano in B Flat Major, H. 37 11. Serenade No. 13 for Strings in G Major ('Eine Kleine Nachtmusik'), K. 525 1st Movement Allegro 12. Kinderszenen No. 7 ('Träumerei'), for Piano, Op. 15/7 13. Meditation on Prelude No. 1 of Bach, for Violin or Cello & Piano with Organ or Cello Ad Lib. (Or Other Instrumental Arrangement) 14. Barokki-Polska 15. Concerto for Double-Bass & Orchestra in a 2nd Movement Andante 16. Sonata for Violin in G minor Adagio 17. Sonata for Violin in G minor Vivace 18. The Aarhus Tattoo

It was a particularly innovative period the telescope, the pendulum clock and Newton's laws of gravity are just a few examples of the developments and discoveries of the 17th century. No wonder that music also experienced many innovations. One of the most important was immediately a completely new genre In the baroque opera, which developed from 1600 onwards, affects were the central means of creation; emotional states of the protagonists, which develop from the opera plot and can then be expressed with a rich canon of musical means. In the Venice of the InchSeicentoInch this art reaches ever new heights and is then also transferred from opera to other musical genres - musical affects, purely instrumental. Some of these fascinating Inchoperas without wordsInch are presented by the Ensemble Colorito in the bright, intense color scheme to which it owes it's name. Album Tracks 1. La Benaglia 2. Sinfonia No XXII 3. Sonata Seconda a 3 Violini 4. Aria Sopra la Bergamasca 5. Arpeggiata a Mio Modo 6. Toccata IX 7. Sonata X 8. Concerto in Do Minor RV 401 9. Sonata a 3 Secondo Tuono 10. Arpeggiata a Mio Modo 11. Sonata À 3 la Foscarina 12. Sonata Sopra la Monica

D by The New York Times as Inchthe father of modern bluegrassInch and by NPR as Inchthe great banjo liberationist,Inch Tony Trischka has spent more than six decades redefining what the banjo can do while remaining deeply rooted in the tradition that inspired him. Trischka's mission comes into sharp focus with Earl Jam 2, the long-awaited companion to his Grammy and IBMA Award-nominated 2023 Earl Jam. Both albums are built around a remarkable discovery a cache of previously unheard recordings of Earl Scruggs and John Hartford informally jamming at Scruggs' home between 1987 and 1998. Earl Jam 2 features 15 newly selected performances drawn from the same archive, spanning traditional standards, deep-cut fiddle tunes, and iconic American songs such as InchGentle on My Mind,Inch InchRed River Valley,Inch and InchThat's All Right.InchAs with Earl Jam, Trischka is joined by extraordinary collaborators, including Billy Strings, Molly Tuttle, Sam Bush, Del and Ronnie McCoury, Sierra Ferrell, The SteelDrivers, Sister Sadie, The Gibson Brothers, and more. Each guest brings a distinct voice, yet the performances remain unified by their devotion to Scruggs' original phrasing, tone, and rhythmic drive.While grounded in archival material, Earl Jam 2 feels vibrantly alive, connecting bluegrass history to it's present and future, and a celebration of lineage, community, and the enduring power of the banjo. More than a tribute, Earl Jam 2 is a living conversation with Earl Scruggs, carried forward by one of his most devoted and imaginative heirs. Album Tracks 1. Columbus Stockade Blues 2. Red River Valley 3. Old Cacklin' Hen 4. Mom and Dad's Waltz 5. Gentle on My Mind 6. Maple on the Hill 7. Lost John 8. I Still Miss Someone 9. That's All Right 10. Bill Cheatham 11. Down in the Willow Garden 12. Boil Them Cabbage Down 13. Here Comes the Bride 14. Chi