Darius Kaunas - Music for Violin - COMPACT DISCS [CD]
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Album Tracks 1. Sonatina for Violin & Piano in B minor, Op. 52 1. Mässig 2. Sonatina for Violin & Piano in B minor, Op. 52 2. Breit Und Gesangvoll 3. Sonatina for Violin & Piano in B minor, Op. 52 3. Tänzerisch Belebt, Dabei Etwas Schwerfällig Und Derb 4. Sonata for Solo Violin No. 2 in E Major, Op. 46/2 1. Sehr Langsam 5. Sonata for Solo Violin No. 2 in E Major, Op. 46/2 2. Scherzo Ganz Takte 6. Sonata for Solo Violin No. 2 in E Major, Op. 46/2 3. Gemessen 7. Duo for 2 Violins No. 1 in G minor, Op. 47/1 1. Mit Lebhafter Energie 8. Duo for 2 Violins No. 1 in G minor, Op. 47/1 2. Langsam Gehend (In Fliessender Bewegung) 9. Duo for 2 Violins No. 1 in G minor, Op. 47/1 3. Nicht Zu Lebhaft, Ein Wenig Gemächlich 10. Sonata for Solo Violin No. 1 in a Minor, Op. 46/1 1. in Form Einer Freien Fantasie 11. Sonata for Solo Violin No. 1 in a Minor, Op. 46/1 2. Ruhig Und Gesangvoll 12. Sonata for Solo Violin No. 1 in a Minor, Op. 46/1 3. Äusserst Schnell 13. Sonata for Violin & Piano No. 3 in C Major, Op. 43/3 1. Vivace 14. Sonata for Violin & Piano No. 3 in C Major, Op. 43/3 2. Allegretto Grazioso 15. Sonata for Violin & Piano No. 3 in C Major, Op. 43/3 3. Con Fuoco
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- GenreClassicalDescriptionAlbum Tracks 1. Sonatina for Violin & Piano in B minor, Op. 52 1. Mässig 2. Sonatina for Violin & Piano in B minor, Op. 52 2. Breit Und Gesangvoll 3. Sonatina for Violin & Piano in B minor, Op. 52 3. Tänzerisch Belebt, Dabei Etwas Schwerfällig Und Derb 4. Sonata for Solo Violin No. 2 in E Major, Op. 46/2 1. Sehr Langsam 5. Sonata for Solo Violin No. 2 in E Major, Op. 46/2 2. Scherzo Ganz Takte 6. Sonata for Solo Violin No. 2 in E Major, Op. 46/2 3. Gemessen 7. Duo for 2 Violins No. 1 in G minor, Op. 47/1 1. Mit Lebhafter Energie 8. Duo for 2 Violins No. 1 in G minor, Op. 47/1 2. Langsam Gehend (In Fliessender Bewegung) 9. Duo for 2 Violins No. 1 in G minor, Op. 47/1 3. Nicht Zu Lebhaft, Ein Wenig Gemächlich 10. Sonata for Solo Violin No. 1 in a Minor, Op. 46/1 1. in Form Einer Freien Fantasie 11. Sonata for Solo Violin No. 1 in a Minor, Op. 46/1 2. Ruhig Und Gesangvoll 12. Sonata for Solo Violin No. 1 in a Minor, Op. 46/1 3. Äusserst Schnell 13. Sonata for Violin & Piano No. 3 in C Major, Op. 43/3 1. Vivace 14. Sonata for Violin & Piano No. 3 in C Major, Op. 43/3 2. Allegretto Grazioso 15. Sonata for Violin & Piano No. 3 in C Major, Op. 43/3 3. Con FuocoArtistDarius KaunasTitleMusic for ViolinFormatCDLabelToccata
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Album Tracks 1. Sonatina for Violin & Piano in B minor, Op. 52 1. Mässig 2. Sonatina for Violin & Piano in B minor, Op. 52 2. Breit Und Gesangvoll 3. Sonatina for Violin & Piano in B minor, Op. 52 3. Tänzerisch Belebt, Dabei Etwas Schwerfällig Und Derb 4. Sonata for Solo Violin No. 2 in E Major, Op. 46/2 1. Sehr Langsam 5. Sonata for Solo Violin No. 2 in E Major, Op. 46/2 2. Scherzo Ganz Takte 6. Sonata for Solo Violin No. 2 in E Major, Op. 46/2 3. Gemessen 7. Duo for 2 Violins No. 1 in G minor, Op. 47/1 1. Mit Lebhafter Energie 8. Duo for 2 Violins No. 1 in G minor, Op. 47/1 2. Langsam Gehend (In Fliessender Bewegung) 9. Duo for 2 Violins No. 1 in G minor, Op. 47/1 3. Nicht Zu Lebhaft, Ein Wenig Gemächlich 10. Sonata for Solo Violin No. 1 in a Minor, Op. 46/1 1. in Form Einer Freien Fantasie 11. Sonata for Solo Violin No. 1 in a Minor, Op. 46/1 2. Ruhig Und Gesangvoll 12. Sonata for Solo Violin No. 1 in a Minor, Op. 46/1 3. Äusserst Schnell 13. Sonata for Violin & Piano No. 3 in C Major, Op. 43/3 1. Vivace 14. Sonata for Violin & Piano No. 3 in C Major, Op. 43/3 2. Allegretto Grazioso 15. Sonata for Violin & Piano No. 3 in C Major, Op. 43/3 3. Con Fuoco
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The German patrician von Uffenbach, during a visit to Venice for the carnival of 1715, at long last managed to meet with Vivaldi and order from him Inch10 concerti grossiInch. Three days later, the composer reappeared with all of the requested music, assuring his patron that it had been expressly composed for him. Vivaldi was unquestionably a very quick composer, but he was also a barefaced and extremely capable promoter of his own talents. The collection of twelve concertos for strings, now preserved in Paris, also has all the earmarks of having been a rapidly and cleverly assembled series of previously composed works, with very little new music added. This same modus operandi would mark the genesis of op. 10 and many other collections by Vivaldi. But Vivaldi is an excellent composer, and like a great actor, he succeeds in taking on the appearance of a character by merely donning a hat or imitating a gesture. Thus he manages to outline with a few brushstrokes all of the force of a French entree in the opening of Concerto n. 5, or to fall suddenly into the most moving melancholy when his unusual Ciaccona modulates into the minor key. Even the last movement of Concerto n. 2, despite appearances, is a rare example of a menuet en rondeau camouflaged as an Italian allegro. The beginning of Concerto n. 1, although belonging to the older works, must have been chosen by Vivaldi to open the collection because it resembles a chaconne in binary meter. These, then, are the distinctive elements, obvious and yet quite effective, which render the idea of a well recognizable taste or style-the same style which informed the InchDomine FiliInch from the Gloria RV 589, the aria InchTornar voglioInch from Arsilda, and the final chorus of Il Giustino. Federico Maria Sardelli conducts the famous baroque ensemble Modo Antiquo, in this amazing historical recording. Album Tracks 1. Con
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