Dowland / Fentross - To Dowland or Not to Dowland - COMPACT DISCS [CD]
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About this product
The pieces, recorded here, form merely the tip of a fascinating iceberg. When medievist/archivist André Nieuwlaat initially shared his discoveries (much more Dowland lute music) with lutenist Mike Fentross two years ago, he realized immediately their importance. Every composer has his own musical signature. Trusting the experience that Mike Fentross has gained throughout his thirty-year career as a professional lute player, and as Professor of Lute at the Royal Conservatory of The Hague for the last 15 years, he started to make a selection from all the pieces in the pertinent manuscripts. He let himself be guided by musical intuition, by the essence of the pieces, and by constantly asking himself the question do I recognize Dowland's hand in this? The overall quality of the pieces to choose from was very impressive, and the answer to this question was ' Yes, I recognize Dowland in these works, without a shadow of a doubt'. His work pays off with this fascinating . Album Tracks 1. Prelude (Mertel 1615 Preludium 230) 2. Fantasia (Mertel 1615 Phantasia 67) 3. In Te Domine Speravi (PL-WRK 352 Fol. 30R) 4. La Batalla (Barbarino P. 368 / Thistlethwaite Fol. 60R) 5. Fantasia (Mertel 1615 Phantasia 29) 6. Fantasia (Mertel 1615 Phantasia 41) 7. Prelude (Hirsch Fol. 15R) 8. Fantasia (Hirsch Fol. 67V) 9. Fancy (Marsh P. 230) 10. Preludium (Cosens Fol. 27R) 11. Fantasia (Ness 82) (DD.2.11 Fol. 16R) 12. Fantasia (Hirsch Fol. 65V) 13. Fantasia (Mertel 1615 Phantasia 19) 14. Susanne Un Jour (Wickhambrook Fol. 13V) 15. Preludium (Cosens Fol. 24V) 16. My Mrs Farewell (Board Fol. 16R)
Specifications
- GenreClassicalDescriptionThe pieces, recorded here, form merely the tip of a fascinating iceberg. When medievist/archivist André Nieuwlaat initially shared his discoveries (much more Dowland lute music) with lutenist Mike Fentross two years ago, he realized immediately their importance. Every composer has his own musical signature. Trusting the experience that Mike Fentross has gained throughout his thirty-year career as a professional lute player, and as Professor of Lute at the Royal Conservatory of The Hague for the last 15 years, he started to make a selection from all the pieces in the pertinent manuscripts. He let himself be guided by musical intuition, by the essence of the pieces, and by constantly asking himself the question do I recognize Dowland's hand in this? The overall quality of the pieces to choose from was very impressive, and the answer to this question was ' Yes, I recognize Dowland in these works, without a shadow of a doubt'. His work pays off with this fascinating . Album Tracks 1. Prelude (Mertel 1615 Preludium 230) 2. Fantasia (Mertel 1615 Phantasia 67) 3. In Te Domine Speravi (PL-WRK 352 Fol. 30R) 4. La Batalla (Barbarino P. 368 / Thistlethwaite Fol. 60R) 5. Fantasia (Mertel 1615 Phantasia 29) 6. Fantasia (Mertel 1615 Phantasia 41) 7. Prelude (Hirsch Fol. 15R) 8. Fantasia (Hirsch Fol. 67V) 9. Fancy (Marsh P. 230) 10. Preludium (Cosens Fol. 27R) 11. Fantasia (Ness 82) (DD.2.11 Fol. 16R) 12. Fantasia (Hirsch Fol. 65V) 13. Fantasia (Mertel 1615 Phantasia 19) 14. Susanne Un Jour (Wickhambrook Fol. 13V) 15. Preludium (Cosens Fol. 24V) 16. My Mrs Farewell (Board Fol. 16R)ArtistDOWLAND / FENTROSSTitleTo Dowland or Not to DowlandFormatCDLabelZefir
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The pieces, recorded here, form merely the tip of a fascinating iceberg. When medievist/archivist André Nieuwlaat initially shared his discoveries (much more Dowland lute music) with lutenist Mike Fentross two years ago, he realized immediately their importance. Every composer has his own musical signature. Trusting the experience that Mike Fentross has gained throughout his thirty-year career as a professional lute player, and as Professor of Lute at the Royal Conservatory of The Hague for the last 15 years, he started to make a selection from all the pieces in the pertinent manuscripts. He let himself be guided by musical intuition, by the essence of the pieces, and by constantly asking himself the question do I recognize Dowland's hand in this? The overall quality of the pieces to choose from was very impressive, and the answer to this question was ' Yes, I recognize Dowland in these works, without a shadow of a doubt'. His work pays off with this fascinating . Album Tracks 1. Prelude (Mertel 1615 Preludium 230) 2. Fantasia (Mertel 1615 Phantasia 67) 3. In Te Domine Speravi (PL-WRK 352 Fol. 30R) 4. La Batalla (Barbarino P. 368 / Thistlethwaite Fol. 60R) 5. Fantasia (Mertel 1615 Phantasia 29) 6. Fantasia (Mertel 1615 Phantasia 41) 7. Prelude (Hirsch Fol. 15R) 8. Fantasia (Hirsch Fol. 67V) 9. Fancy (Marsh P. 230) 10. Preludium (Cosens Fol. 27R) 11. Fantasia (Ness 82) (DD.2.11 Fol. 16R) 12. Fantasia (Hirsch Fol. 65V) 13. Fantasia (Mertel 1615 Phantasia 19) 14. Susanne Un Jour (Wickhambrook Fol. 13V) 15. Preludium (Cosens Fol. 24V) 16. My Mrs Farewell (Board Fol. 16R)
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