Emilio Traverso - Alari Historic Organ - COMPACT DISCS [CD]

A gap in the repertoire provided the impulse for a genuine new discovery there is plenty of repertoire for the flute from the Baroque period and again since the 20th century. The so productive epoch of Romanticism, however, treated just this instrument somewhat stepmotherly. The duo Terragni/Sarasin wanted to remedy the situation and resorted to the tried and tested means of adaptation, which has been common in music for centuries. The object of the adaptation to the flute was not a well-known work, but a real trouvaille the violin sonata by the composer Emilie Mayer, who in her time (although considerably younger) was sometimes referred to as the Inchfemale BeethovenInch. Only a few interventions in the original text were necessary to make this energetic work appear in a new light. The sonata is complemented by an original suite by Laura Netzel, who is also little known today, and several smaller pieces by the two female composers, which once again impressively prove what repertoire treasures there still are to be unearthed off the beaten track. Album Tracks 1. Sonate D-Dur 2. Nocturne Op. 48 3. Tarantelle Op. 33 4. Suite Op. 33 5. Humoresque Op. 37 6. Romance Op. 38 7. Romance Op. 40 8. Andante Religioso Op. 48 9. Berceuse Op. 59 10. La Gondoliera Op. 60 11. Berceuse Op. 69 12. Colibri Op. 72

Album Tracks 1. Allegro 2. Largo 3. Allegro 4. (Allegro) 5. Larghetto 6. Allegro 7. Andante - Adagio 8. Allegro 9. Adagio 10. Allegro 11. Allegro Assai 12. Largo 13. Allegro 14. Allegro 15. Largo E Cantabile 16. Allegro 17. (Allegro) 18. Largo 19. Allegro 20. Allegro 21. Adagio E Cantabile 22. Allegro 23. Allegro 24. Largo 25. Allegro

Album Tracks 1. Intermezzo Primo Aria Di Bacocco 'Si, Si, Maledetta' - Antonio Abete 2. Intermezzo Primo Recitativo (Bacocco) 'Disgraziato Bacocco' - Ens Con Strumenti Originali/Alessandro Bares 3. Intermezzo Primo Aria Di Serpilla 'Un Consorte Sciagurato' - Gloria Banditelli 4. Intermezzo Primo Recitativo (A Due) 'O Bacocco, Se Questa E la Vigilia' - Antonio Abete/Gloria Banditelli 5. Intermezzo Primo Duetto 'Serpilla Diletta' - Antonio Abete/Gloria Banditelli 6. Intermezzo Secondo Recitativo (Bacocco) 'Serpilla Indiavolata' - Antonio Abete 7. Intermezzo Secondo Aria Di Serpilla 'Signor Giudice, Qiustizia' - Gloria Banditelli 8. Intermezzo Secondo Recitativo (A Due) 'Alzatevi, Madonna' - Antonio Abete/Gloria Banditelli 9. Intermezzo Secondo Duetto 'Questo E Quell'uomo' - Gloria Banditelli/Antonio Abete 10. Intermezzo Terzo Aria Di Serpilla 'A Questa Pellegrina' - Gloria Banditelli 11. Intermezzo Terzo Recitativo (A Due) 'Ecco Qui L'assassina' - Antonio Abete/Gloria Banditelli 12. Intermezzo Terzo Duetto 'Io Gia Sento' - Antonio Abete/Gloria Banditelli 13. Ottone's Aria (Act I, Scene Vi) 'La Crudel Se Par Sdegnosa' - Gloria Banditelli/Pietro Pasquini 14. Tigrance's Aria (Act I, Scene Xi) 'Cosi Dubbia Tortorella' - Gloria Banditelli/Pietro Pasquini 15. Ottone's Aria (Act I, Last Scene) 'Faro Col Mio Pensier' - Gloria Banditelli/Pietro Pasquini 16. Griselda's Aria (Act II, Last Scene) 'Vedrassi Dal Suo Nido' - Gloria Banditelli/Pietro Pasquini 17. Corrado's Aria (Act III, Scene V) 'Quelle Pupille, Si' - Gloria Banditelli/Pietro Pasquini 18. Oronta's Aria (Act III, Scene Xi) 'Fra Tempeste' - Gloria Banditelli/Pietro Pasquini