Finley Quaye - Maverick A Strike - COMPACT DISCS [CD]

Album Tracks 1. Ultra Stimulation 2. It's Great When We're Together 3. Sunday Shining 4. Even After All 5. Ride on and Turn the People on 6. The Way of the Explosive 7. Your Love Gets Sweeter 8. Supreme I Preme 9. Sweet and Loving Man 10. Red Rolled and Seen 11. Falling 12. I Need a Lover 13. Maverick a Strike

London-based experimentalist Luke Younger (aka Helm) returns to PAN with Olympic Mess, a record born of destructive practice, competing desires, and troubled optimism. Where his previous effort, 2014's The Hollow Organ (PAN 050EP), dealt in dense, distressed sonics, Olympic Mess is Younger responding to a period spent engaged with loop-based industrial music, dub techno, and balearic disco. These musical references, all of which can induce hypnotic states and feelings of euphoria, inform ten evocative aural landscapes that unfurl over the course of an hour and act almost as a counterpoint to the turmoil that spawned them. It's about exploring a perverse desire to pull the rug from under yourself, and the struggle to achieve a healthy equilibrium between one's personal and artistic lives, Younger says. Dealing with the problematic consequences of pushing your own limits, forming and dissolving relationships, transient lifestyles, physical and mental exhaustion, excess, and other kinds of personal chaos. Crafted using an array of heavily processed samples, found sound, and electroacoustics, personal conflict manifests in I Exist in a Fog and Outerzone 2015, in which visceral noise disintegrates into veiled, ambient strata. The disquieting crescendos of The Evening in Reverse and Fluid Cloak offer no such relief, while the title-track and Don't Lick the Jacket are mineral, multilayered abstractions twisting around a brittle pulse. Following a period of extensive touring throughout the States and Europe, which included 20 dates in support of Danish punk group Iceage, Olympic Mess was recorded in London, New York, and Berlin by Sean Ragon, Luke Younger, and John Hannon. The album is mastered and cut by Rashad Becker at Dubplates & Mastering, Berlin, pressed on CD and 140-gram double LP. It features photography by Kim Thue and artwork by Bill Kouligas. Album Tracks 1.

The Halle and Sir Mark Elder follow their previous highly acclaimed DeBussy albums, with a stunning orchestral collection including a world premiere recording. This collection features works from across the composer's career, from his early winning of the Prix de Rome, as a result of which he composed the delicate cantata La Demoiselle elue in 1887. Recorded following the highly acclaimed Proms performance and featuring stand-out soloists Anna Stephany and Sophie Bevan, hailed by reviewers. The enigmatic Nocturnes date from 1897-9 and show the composer at the height of his orchestral powers, in music that is highly evocative of mood and which displays deft instrumental writing. Mastery of instrumental writing is further evidenced in the technically demanding Premiere Rhapsodie, which calls upon the full range of emotions from the soloist; here the Halle's Principal Clarinet, Sergio Castello Lopez. The album features a world premiere recording of Colin Matthew's orchestration of the piano piece Les soirs illumines par l'ardeur du charbon, unknown until it's discovery in 2001. This arrangement follows Matthews' universally acclaimed orchestrations of the DeBussy Preludes. Album Tracks 1. Nocturnes L. 91 2. 4- Première Rapsodie, L. 116 3. 5- Marche Écossaise Sur Un Thème Populaire, L. 77 4. 6- Les Soirs Illuminés Par L'ardeur Du Charbon, L.150 5. 7- la Damoiselle Élue, L. 62