Freedom Highway - Sus033 - VINYL LP

101, MILKY WAY is a real treasure from Klaus Schulz's musical legacy. It is one of those KS works that absolutely need to be presented to the world,and as such it is part of our obligation to share all of his music with all of you. And of course the genesis of this album - as always - has it's very ownhistory It all began at the end of 2008 with an enquiry from a German film production company asking if Klaus would perhaps create the score for a plannedfilm documentary about computer hackers. In the end, this turned into a complete KS album, from which the director of the documentary film'Hacker' - Alex Biedermann - was only to use small parts as soft background music.With '101, MILKY WAY', the complete work is now available for the first time - it is a greeting from Klaus' new cosmic home somewhere in theuniverse. Album Tracks 1. Infinity 2. Alpha 3. Multi 4. Meta 5. Uni

Only the Blues is an introduction deferred, and it is the debut album by Dylan Moon. Across it's 35 minutes, we are rarely made to understand what, exactly, the source of Moon's blues is, how that feeling has mutated, or whether there is a life beyond the small rooms and cramped spaces where this music was made. If not opaque, this first meeting with Moon is at least hazily translucent. This makes Only the Blues something of an esoteric response to an age of radical transparency. Broadly speaking, Moon works in the field of folk music. But from this pasture, he glances pathways to digression; seeking scenic routes and counterintuitive cartography, trusting that even the most aimless trip becomes lucid if the foggy details are documented well enough. On this trip, images spill from Moon, and most of them seem foreboding. We are given the sense - both from his lyrics and from the viscous mood he creates, using electronic manipulation to send his songs down compositional egresses, from which they emerge with a mysterious residue - that things have not been going well. Even the most saccharine memories, dancing before a freshly lit fire or hanging out with childhood cartoons come to life, feel caked with a hidden history. Moon studied electronic production and sound design at music school, and then moved to Los Angeles in hopes of working in the film industry. While simultaneously graduating from pop to psych to prog to beat-making, he returned to traditional songwriting on the west coast, working out his ideas over a pair of self-released EPs. He also stumbled upon an ancient drum machine with scratched contact points and seventy years spent under restless thumbs, finding a kind of sonic entropy in it's past-futurist rhythm signals that serve as Only the Blues' spiritual center. The album was recorded in Moon's bedrooms in L.A. and Boston, small spaces made more claustro

23-year-old French pianist Kim Bernard is the first laureate of the Fondation Gautier Capuçon. Kim Bernard studied piano from the age of 5, won first prize at the 2012 Montrond-les-Bains International Competition and at the National Pianistic Nights Competition. His first album is dedicated to Chopin, Ravel and Debussy. Album Tracks 1. Ballade No. 4 in F minor, Op. 52 2. Berceuse in D-Flat Major, Op. 57 3. Barcarolle in F-Sharp Major, Op. 60 4. L'isle Joyeuse, CD 109, L. 106 5. Images, Livre I, CD 105, L. 110 No. 1, Reflets Dans L'eau 6. Images, Livre I, CD 105, L. 110 No. 2, Hommage À Rameau 7. Images, Livre I, CD 105, L. 110 No. 3, Mouvement 8. Le Tombeau de Couperin, M. 68 I. Prélude 9. Le Tombeau de Couperin, M. 68 II. Fugue 10. Le Tombeau de Couperin, M. 68 III. Forlane 11. Le Tombeau de Couperin, M. 68 IV. Rigaudon 12. Le Tombeau de Couperin, M. 68 V. Menuet 13. Le Tombeau de Couperin, M. 68 VI. Toccata