Hans Theessink - Hard Road Blues - VINYL LP
Reviews coming soon
About this product
I recorded HARD ROAD BLUES in 2 nights (October 6th-7th, 1994) in the OPUS Recorder Music Studio in Austria in one go and all analog. It was quite a meditative affair, recorded very well by sound engineer Andreas Fabianek. We used a vocal mic, a guitar mic, and a few other mics to capture the natural sound of the room. The recording sounds very organic; you can feel every movement and breathing and you can literally hear the fingers dancing on the fretboard. The record was first released in 1994 on vinyl, CD and cassette. HARD ROAD BLUES has been highly acclaimed by fans and press alike and has sold very well. If a copy of this pressing ever turns up in good condition, it would cost quite a bit of money. Unfortunately, the fire devil struck at the German pressing plant - many masters and matrices were destroyed; including those of HARD ROAD BLUES. A subsequent pressing was therefore impossible. But during Corona 2020 I had a lot of time to look through my stock of recordings and I also found the HARD ROAD BLUES master tapes. That's when the idea came up to re- this record.I contacted Christoph Stickl from CSMastering. Christoph had already done an excellent remastering of my 1987 InchBaby Wants To BoogieInch LP and he was therefore predestined to carry out this rather delicate work for HARD ROAD BLUES as well. He reviewed the tapes, which after all, were already 27 years old, and said he'd have to InchbakeInch them in the oven to play them and start remastering. Luckily the tapes were still in good shape and so Christoph was able to do the remastering without interrupting the AAA chain. Album Tracks 1. Big Bill's Guitar Hans Theessink Manus (Akm) 2. You Make Me Feel So Good Hans Theessink Manus (Akm) 3. Prison Blues Trad/Arr. And New Words Hans Theessink 4. Blind Willie Hans Theessink Manus (Akm) 5. One Kind Favour Blind Lemon Jefferson / Arr. Hans
Format
VINYLSpecifications
- GenreBluesDescriptionI recorded HARD ROAD BLUES in 2 nights (October 6th-7th, 1994) in the OPUS Recorder Music Studio in Austria in one go and all analog. It was quite a meditative affair, recorded very well by sound engineer Andreas Fabianek. We used a vocal mic, a guitar mic, and a few other mics to capture the natural sound of the room. The recording sounds very organic; you can feel every movement and breathing and you can literally hear the fingers dancing on the fretboard. The record was first released in 1994 on vinyl, CD and cassette. HARD ROAD BLUES has been highly acclaimed by fans and press alike and has sold very well. If a copy of this pressing ever turns up in good condition, it would cost quite a bit of money. Unfortunately, the fire devil struck at the German pressing plant - many masters and matrices were destroyed; including those of HARD ROAD BLUES. A subsequent pressing was therefore impossible. But during Corona 2020 I had a lot of time to look through my stock of recordings and I also found the HARD ROAD BLUES master tapes. That's when the idea came up to re- this record.I contacted Christoph Stickl from CSMastering. Christoph had already done an excellent remastering of my 1987 InchBaby Wants To BoogieInch LP and he was therefore predestined to carry out this rather delicate work for HARD ROAD BLUES as well. He reviewed the tapes, which after all, were already 27 years old, and said he'd have to InchbakeInch them in the oven to play them and start remastering. Luckily the tapes were still in good shape and so Christoph was able to do the remastering without interrupting the AAA chain. Album Tracks 1. Big Bill's Guitar Hans Theessink Manus (Akm) 2. You Make Me Feel So Good Hans Theessink Manus (Akm) 3. Prison Blues Trad/Arr. And New Words Hans Theessink 4. Blind Willie Hans Theessink Manus (Akm) 5. One Kind Favour Blind Lemon Jefferson / Arr. HansArtistHans TheessinkTitleHard Road BluesFormatVINYLLabelBlue Groove
Reviews
This product doesn't have any reviews yet.
Compare similar products

I recorded HARD ROAD BLUES in 2 nights (October 6th-7th, 1994) in the OPUS Recorder Music Studio in Austria in one go and all analog. It was quite a meditative affair, recorded very well by sound engineer Andreas Fabianek. We used a vocal mic, a guitar mic, and a few other mics to capture the natural sound of the room. The recording sounds very organic; you can feel every movement and breathing and you can literally hear the fingers dancing on the fretboard. The record was first released in 1994 on vinyl, CD and cassette. HARD ROAD BLUES has been highly acclaimed by fans and press alike and has sold very well. If a copy of this pressing ever turns up in good condition, it would cost quite a bit of money. Unfortunately, the fire devil struck at the German pressing plant - many masters and matrices were destroyed; including those of HARD ROAD BLUES. A subsequent pressing was therefore impossible. But during Corona 2020 I had a lot of time to look through my stock of recordings and I also found the HARD ROAD BLUES master tapes. That's when the idea came up to re- this record.I contacted Christoph Stickl from CSMastering. Christoph had already done an excellent remastering of my 1987 InchBaby Wants To BoogieInch LP and he was therefore predestined to carry out this rather delicate work for HARD ROAD BLUES as well. He reviewed the tapes, which after all, were already 27 years old, and said he'd have to InchbakeInch them in the oven to play them and start remastering. Luckily the tapes were still in good shape and so Christoph was able to do the remastering without interrupting the AAA chain. Album Tracks 1. Big Bill's Guitar Hans Theessink Manus (Akm) 2. You Make Me Feel So Good Hans Theessink Manus (Akm) 3. Prison Blues Trad/Arr. And New Words Hans Theessink 4. Blind Willie Hans Theessink Manus (Akm) 5. One Kind Favour Blind Lemon Jefferson / Arr. Hans

Recorded in a non-studio environment - fantastic ambient sound! Theessink has composed a stirring set of songs that seamlessly fuse his unplugged picking, sonorous voice, and three-piece band into the very definition of laid-back comfort. Three singers from Zimbabwe add wonderful harmonies that fill-out the music to magical effect. Such magnificent combinations of seemingly divergent elements drive this splendid album to spine-tingling heights. Theessink doesn't play traditional blues here; instead, he deftly references the genre as one of many stops on his global trek through the Delta, into backwoods folk, and onward to Africa. Album Tracks 1. Slow Train 2. Katrina 3. God Created the World 4. Thula Mama/Oh Mother Don't You Weep 5. Love You Baby 6. Old Man Trouble 7. Leaving at Daybreak 8. May the Road 9. Run on for a Long Time 10. When Luther Played the Blues

It took seven years for Sandro Perri to return with an album under his own name, releasing In Another Life (Inchhis outsider pop masterpieceInch- Exclaim) in the fall of 2018, as the much-anticipated follow-up to his acclaimed full-length Impossible Spaces (#38 album of 2011 at Pitchfork, among other accolades). But the Perri floodgates have now well and truly opened the flow of sparkling, eddying music he's been meticulously doling out of late (including two recent volumes of collaborative avant-electronic work with his Off World project) charts another vital, rejuvenating tributary with Soft Landing. Soft Landing features songs Perri has been playing around with for the better part of the last decade, taking many forms along the way, and recorded sporadically over a long period. It's also his most guitar-based collection since 2007's Tiny Mirrors. While Perri is rightly celebrated as Inchone of the most singular producers in contemporary musicInch (Boomkat) for his widely varied electronic work, his foundations as a guitarist have always anchored his 'solo' albums in one form or another. On Soft Landing, Perri's guitar playing is at the smoothly, expressively rambling heart of these tunes - while his recording and mixing acumen as a (self) producer is also on brilliant display. As with last year's In Another Life (which comprised two album-length sides of 'infinite song'), Soft Landing opens with the 16-minute InchTime (You Got Me)Inch, an enchanted mid- tempo excursion anchored by Perri's gently sliding guitar riff and a serene vocal delivering lyrics that can be read as a wistfully acquiescent love letter to the fourth dimension. Paced by congas, shakers, claves, impressionistic piano and even the occasional wind chime, Perri wraps up his final vocal refrain by the song's fifth minute and then steers the instrumental theme down a long and winding road in his inim

A low-key but emotionally moving collection of stripped down songs, performed by Hans Theessink, who plays and sings with singular grace, using his honeyed baritone and his soulful pickin' to reinterpret songs by people as diverse as Hank Williams, Tom Waits, Bo Diddley, Johnny Cash, and the Rolling Stones, recasting all of their familiar tunes and a few of his own in service to a movie based on the Austrian version of Everyman, the English morality play. Album Tracks 1. Way Down in the Hole 2. The Man Comes Around 3. No Expectations 4. I'm a Man 5. Mother's Advice 6. Satan Your Kingdom Must Come Down 7. The Beast in Me 8. You Gonna Need Somebody on Your Bond 9. The Angel of Death 10. Oh Sinner Man 11. Call Me 12. Sympathy for the Devil
Specs
Be the first to ask a question.
We’ll try to get your question answered within 24 hours by a Best Buy customer or brand representative.