Invencia Piano Duo - Complete Original Works for Piano Duet & Duo - COMPACT DISCS [CD]
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Winner of the 1900 Prix de Rome, Florent Schmitt stands alongside Debussy and Ravel as one of the most original French composers of his time. Schmitt's piano duos and duets are second only to Schubert in number and yet few have been recorded. The masterful Invencia Piano Duo seeks a redress of these grievances in this sensual and subtle . Album Tracks 1. Francaise 2. Polonaise 3. Viennoise 4. Somnolence 5. Souvenir de Ribeaupierre 6. Scintillement 7. Souhaits de Jeune Fille 8. Promenade a L'etang 9. Fete Septentrionale 10. Traversee Heureuse 11. Rhapsodie Parisienne
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- GenreClassicalDescriptionWinner of the 1900 Prix de Rome, Florent Schmitt stands alongside Debussy and Ravel as one of the most original French composers of his time. Schmitt's piano duos and duets are second only to Schubert in number and yet few have been recorded. The masterful Invencia Piano Duo seeks a redress of these grievances in this sensual and subtle . Album Tracks 1. Francaise 2. Polonaise 3. Viennoise 4. Somnolence 5. Souvenir de Ribeaupierre 6. Scintillement 7. Souhaits de Jeune Fille 8. Promenade a L'etang 9. Fete Septentrionale 10. Traversee Heureuse 11. Rhapsodie ParisienneArtistInvencia Piano DuoTitleComplete Original Works for Piano Duet & DuoFormatCDLabelGrand Piano
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?It was Beethoven's original idea to follow the Eroica Symphony with what today is known as the Fifth, and he actually started work on the C minor. The Fifth was intended as a commission for one Count Franz von Oppersdorf, a musical amateur of no mean ability who admired Beethoven's music. In 1806 Beethoven shook the summer dust of Vienna off his feet and went to visit Count Brunswick at Martonvasar. Then, toward the end of the summer, the composer proceeded to Prince Lichnowsky's Castle Gratz in Silesia. Count Oppersdorf, who had a castle in Oberglogau, in the vicinity of Castle Gratz, was visited by Beethoven and Lichnowsky. It was then that Oppersdorf commissioned Beethoven to compose a symphony for him, and Beethoven promised to let him have the C minor. But Beethoven never did deliver the Fifth to the Count. On 1 November 1808, he wrote to that titled gentleman 'Revered Lord - Don't look on me in a wrong light; the Symphony which I had intended for you I was compelled by want [this was untrue] to sell with a second one to somebody else. But be assured that you will very soon receive the one which I design you to have.' And so Beethoven, who had dedicated the Fifth Symphony to Lobkowitz and Rasoumovsky, sent along the Fourth to Oppersdorf. Since the Fourth Symphony had already been sold and had received it's premiere, Oppersdorf was insulted and infuriated. He broke off negotiations with Beethoven and apparently never wrote or spoke to him again. Beethoven had interrupted work on his Fifth Symphony to compose the Fourth, which was finished in 1806. It's first performance took place in March 1807, in the mansion of Prince Lobkowitz, and on 15 November it was repeated at a charity concert. In both cases the orchestra was largely made up of titled aristocrats, with a few professionals filling in on the instruments less favored by the nobility (horns, etc.). Coming b
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Album Tracks 1. Marche Du 163 R.I., Op. 48, No. 2 2. Feuillets de Voyage, Book 1, Op. 26 3. Feuillets de Voyage, Book 2, Op. 26 4. Musiques Foraines, Op. 22
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This second of four volumes of the complete original works features two world premiere recordings. Album Tracks 1. Sur Cinq Notes, Op 34 - Invencia Piano Duo 2. Reflets Dallemagne, Op 28 - Invencia Piano Duo 3. 8 Courtes Pieces, Op. 41 - Invencia Piano Duo
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