Laake - Volt - COMPACT DISCS [CD]
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After tackling an electronic symphony with InchOInch, his first album, French pianist and producer Laake returns with InchVOLTInch, a vast and solar opus against the current tides of the electronic music scene. Danger is what drives Laake. After tackling an electronic symphony with InchOInch, first album released in 2020 on Mercury and two EPs released in 2015 and 2017, French pianist and producer Laake returns with InchVOLTInch, a vast and solar opus against the current tides of the electronic music scene. The piano loops, spearhead of the musician, collide with the percussions and drums - great novelties of this album - in a progressive and mastered deluge. The album's energy easily navigates through electronic and classical dimensions, flirting with organ sounds, powerful basses and polyphonic voices, all witnesses of the urgency arising from each track. Recorded with 10 musicians from the classical and jazz worlds between Paris and Brussels, the 10 tracks that make up the album succeed one another but do not sound alike... Carried by the irresistible need for the musicians to surprise us. Yet InchVOLTInch, Laake's second studio album, was initially imagined as a piano solo record, a collection of hundreds of snippets of melodies recorded and carefully preserved over the last ten years by Laake. History decided otherwise InchDuring the recording of the first piece of the album, barefoot, I suffered an electrocution, or rather an electrification, the first one being fatal, by touching with my arm a luminous sconce of doubtful confection. Expelled backwards by the shock, persuaded to live my last moments, I noticed several minutes later the multiple burns appearing on my body, bewildered. A visit to the hospital followed and a psychological trauma that would last more than a year, unable to touch a switch or screw in a light bulb. The current had gone through me but
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- GenreClassicalDescriptionAfter tackling an electronic symphony with InchOInch, his first album, French pianist and producer Laake returns with InchVOLTInch, a vast and solar opus against the current tides of the electronic music scene. Danger is what drives Laake. After tackling an electronic symphony with InchOInch, first album released in 2020 on Mercury and two EPs released in 2015 and 2017, French pianist and producer Laake returns with InchVOLTInch, a vast and solar opus against the current tides of the electronic music scene. The piano loops, spearhead of the musician, collide with the percussions and drums - great novelties of this album - in a progressive and mastered deluge. The album's energy easily navigates through electronic and classical dimensions, flirting with organ sounds, powerful basses and polyphonic voices, all witnesses of the urgency arising from each track. Recorded with 10 musicians from the classical and jazz worlds between Paris and Brussels, the 10 tracks that make up the album succeed one another but do not sound alike... Carried by the irresistible need for the musicians to surprise us. Yet InchVOLTInch, Laake's second studio album, was initially imagined as a piano solo record, a collection of hundreds of snippets of melodies recorded and carefully preserved over the last ten years by Laake. History decided otherwise InchDuring the recording of the first piece of the album, barefoot, I suffered an electrocution, or rather an electrification, the first one being fatal, by touching with my arm a luminous sconce of doubtful confection. Expelled backwards by the shock, persuaded to live my last moments, I noticed several minutes later the multiple burns appearing on my body, bewildered. A visit to the hospital followed and a psychological trauma that would last more than a year, unable to touch a switch or screw in a light bulb. The current had gone through me butArtistLaakeTitleVoltFormatCDLabelNaive
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After tackling an electronic symphony with InchOInch, his first album, French pianist and producer Laake returns with InchVOLTInch, a vast and solar opus against the current tides of the electronic music scene. Danger is what drives Laake. After tackling an electronic symphony with InchOInch, first album released in 2020 on Mercury and two EPs released in 2015 and 2017, French pianist and producer Laake returns with InchVOLTInch, a vast and solar opus against the current tides of the electronic music scene. The piano loops, spearhead of the musician, collide with the percussions and drums - great novelties of this album - in a progressive and mastered deluge. The album's energy easily navigates through electronic and classical dimensions, flirting with organ sounds, powerful basses and polyphonic voices, all witnesses of the urgency arising from each track. Recorded with 10 musicians from the classical and jazz worlds between Paris and Brussels, the 10 tracks that make up the album succeed one another but do not sound alike... Carried by the irresistible need for the musicians to surprise us. Yet InchVOLTInch, Laake's second studio album, was initially imagined as a piano solo record, a collection of hundreds of snippets of melodies recorded and carefully preserved over the last ten years by Laake. History decided otherwise InchDuring the recording of the first piece of the album, barefoot, I suffered an electrocution, or rather an electrification, the first one being fatal, by touching with my arm a luminous sconce of doubtful confection. Expelled backwards by the shock, persuaded to live my last moments, I noticed several minutes later the multiple burns appearing on my body, bewildered. A visit to the hospital followed and a psychological trauma that would last more than a year, unable to touch a switch or screw in a light bulb. The current had gone through me but
Wish You Were Here is the ninth studio album by the English rock band Pink Floyd, released on 12 September 1975 by Harvest Records in the United Kingdom and a day later by Columbia Records in the United States. Inspired by material the group composed while performing around Europe, Wish You Were Here was recorded during numerous recording sessions at Abbey Road Studios in London, England. Some of the songs on the album critique the music business, others express alienation and the track InchShine On You Crazy DiamondInch is a tribute to Syd Barrett, whose mental breakdown had forced him to leave the group seven years earlier after the of the group's debut studio album The Piper at the Gates of Dawn. It was also lead writer Roger Waters' idea to split InchShine On You Crazy DiamondInch into two parts and use it to bookend the album around three new compositions, introducing a new concept as the group had done with their previous album, The Dark Side of the Moon. As with The Dark Side of the Moon, the band used studio effects and synthesizers, and brought in guest singers to supply vocals on some tracks of the album. These singers were Roy Harper, who provided the lead vocals on InchHave a CigarInch, and the Blackberries, who added backing vocals to InchShine On You Crazy DiamondInch. - Wish You Were Here was an instant commercial success (despite the fact that Harvest Records' parent company EMI was unable to print enough copies of the album to satisfy commercial demand), and although it initially received mixed reviews, the album has since gone on to receive critical acclaim. It appears on Rolling Stone's lists of InchThe 500 Greatest Albums of All TimeInch and the Inch50 Greatest Prog Rock Albums of All TimeInch. Band members Richard Wright and David Gilmour have cited Wish You Were Here as their favourite Pink Floyd album, and many critics and fans have considered
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