Mux Mool - Skulltaste - VINYL LP
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Double vinyl LP pressing. InchI think beat-making is really the study of every kind of music,Inch says Brian Lindgren, the artist known as Mux Mool, InchAnyone who makes beats should be experimenting in other genres.Inch On Skulltaste, Lindgren's full-length debut on Ghostly International, the producer was determined to explore every corner of his beat-steeped psyche, and the resulting document is a masterpiece of eclectic cohesion chunky instrumental hip-hop sits next to new-wave anthems and dubby dancefloor bangers, which abut skittery slices of D'nB and made-up video-game soundtracks. Skulltaste may cover a lot of ground, but Mux Mool pulls it off. He even makes it look easy. Skulltaste is an old-fashioned epic, and it's diversity-both track-to-track and within the songs themselves-is hard to measure. Lindgren's taste roams all over the map, but it's this attention-deficient approach that makes Skulltaste such a smorgasbord of an album, tempting the listener with one tidbit after another. Opener InchThe Ballad of Gloria FeatherbottomInch hits a quintessential balance between giddily spiraling samples cooled by monstrous slabs of ice-water synth; later, InchGet Better JohnInch has a teary-eyed uplift, conjuring a mood somewhere between '90s R&B and the Chrono Trigger soundtrack; and the entertainingly titled InchSFW PornInch pairs a boom-clap beat to clear-blue keys and a lazily scribbled guitar line. On Skulltaste, Mux Mool tirelessly doles out 20 tracks in 80 minutes, with not a moment of filler. Lindgren's stylistic blast zone is so wide, that one might think he was pandering, trying to be all things to all people. One close listen, though, and it becomes clear that the world of Mux Mool is just that expansive, a reflection of Lindgren's many-splendored passions-the fact that Skulltaste genuinely has something for everyone is just a happy coincidence. Album Tra
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- GenreDance and electronicDescriptionDouble vinyl LP pressing. InchI think beat-making is really the study of every kind of music,Inch says Brian Lindgren, the artist known as Mux Mool, InchAnyone who makes beats should be experimenting in other genres.Inch On Skulltaste, Lindgren's full-length debut on Ghostly International, the producer was determined to explore every corner of his beat-steeped psyche, and the resulting document is a masterpiece of eclectic cohesion chunky instrumental hip-hop sits next to new-wave anthems and dubby dancefloor bangers, which abut skittery slices of D'nB and made-up video-game soundtracks. Skulltaste may cover a lot of ground, but Mux Mool pulls it off. He even makes it look easy. Skulltaste is an old-fashioned epic, and it's diversity-both track-to-track and within the songs themselves-is hard to measure. Lindgren's taste roams all over the map, but it's this attention-deficient approach that makes Skulltaste such a smorgasbord of an album, tempting the listener with one tidbit after another. Opener InchThe Ballad of Gloria FeatherbottomInch hits a quintessential balance between giddily spiraling samples cooled by monstrous slabs of ice-water synth; later, InchGet Better JohnInch has a teary-eyed uplift, conjuring a mood somewhere between '90s R&B and the Chrono Trigger soundtrack; and the entertainingly titled InchSFW PornInch pairs a boom-clap beat to clear-blue keys and a lazily scribbled guitar line. On Skulltaste, Mux Mool tirelessly doles out 20 tracks in 80 minutes, with not a moment of filler. Lindgren's stylistic blast zone is so wide, that one might think he was pandering, trying to be all things to all people. One close listen, though, and it becomes clear that the world of Mux Mool is just that expansive, a reflection of Lindgren's many-splendored passions-the fact that Skulltaste genuinely has something for everyone is just a happy coincidence. Album TraArtistMux MoolTitleSkulltasteFormatVINYLLabelYoung Heavy Souls
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Double vinyl LP pressing. InchI think beat-making is really the study of every kind of music,Inch says Brian Lindgren, the artist known as Mux Mool, InchAnyone who makes beats should be experimenting in other genres.Inch On Skulltaste, Lindgren's full-length debut on Ghostly International, the producer was determined to explore every corner of his beat-steeped psyche, and the resulting document is a masterpiece of eclectic cohesion chunky instrumental hip-hop sits next to new-wave anthems and dubby dancefloor bangers, which abut skittery slices of D'nB and made-up video-game soundtracks. Skulltaste may cover a lot of ground, but Mux Mool pulls it off. He even makes it look easy. Skulltaste is an old-fashioned epic, and it's diversity-both track-to-track and within the songs themselves-is hard to measure. Lindgren's taste roams all over the map, but it's this attention-deficient approach that makes Skulltaste such a smorgasbord of an album, tempting the listener with one tidbit after another. Opener InchThe Ballad of Gloria FeatherbottomInch hits a quintessential balance between giddily spiraling samples cooled by monstrous slabs of ice-water synth; later, InchGet Better JohnInch has a teary-eyed uplift, conjuring a mood somewhere between '90s R&B and the Chrono Trigger soundtrack; and the entertainingly titled InchSFW PornInch pairs a boom-clap beat to clear-blue keys and a lazily scribbled guitar line. On Skulltaste, Mux Mool tirelessly doles out 20 tracks in 80 minutes, with not a moment of filler. Lindgren's stylistic blast zone is so wide, that one might think he was pandering, trying to be all things to all people. One close listen, though, and it becomes clear that the world of Mux Mool is just that expansive, a reflection of Lindgren's many-splendored passions-the fact that Skulltaste genuinely has something for everyone is just a happy coincidence. Album Tra
What happens when a guy making beats in his bedroom releases an album that takes him all over the world? He goes back to that bedroom and works on the next . Mux Mool and Young Heavy Souls are proud to present Skulltaste II, the second installment of a critically-acclaimed album. This sonically improved sequel features fewer samples and more original soundscapes, skilled finger drumming and a sharper streamlined vision. Staying true to the eccentric song titles and fluid genre-exploration people know and love from Mux Mool, Skulltaste II hosts 13 unique tracks. Bolstering everything from glitchy groove madness in InchTeeth,Inch pulsing house vibes with InchGirlfriend Material,Inch and chilled sonic soundscapes in InchI'll Be Here Waiting,Inch listeners will be consistently engaged. The lead single, InchBoner of a Lonely Heart,' debuted Friday, November 22, with the second single InchSorry For Your GlossInch arriving May 1st, 2020. The full album will be released on all digital streaming platforms via Young Heavy Souls on Friday, July 10 2020, and on vinyl in mid August 2020. Album Tracks 1. Sorry for Your Gloss 2. Where You at 3. Latest Sulk 4. Fan Fiction 5. Boner of a Lonely Heart 6. You Can't Wait for This 7. Old Where It Counts 8. I'll Be Here Waiting 9. Intermission 10. Teeth 11. Girlfriend Material 12. Long Distance 13. Telluride or Die
Vinyl LP pressing. 2026 . InchMoo is the first wide on my new tag MUP! When I decided to make a new record, it only seemed right to go back to what brings me the most joy, which is, Rock & Roll music... All in all, MOO is a full circle moment. A return to form. A return to rock. A return to Vermont. A return to myself. Reconnecting the dots. Restarting the engine. Plugging in the stack. Finally letting King Tuff be King. Fucking. Tuff.Inch Album Tracks 1. Twisted on a Train 2. Stairway to Nowhere 3. Invisible Ink 4. Landline 5. Crosseyed Critters 6. Oil Change 7. East of Ordinary 8. Unglued 9. Delusions 10. Backroads 11.
Album Tracks 1. Ain't No Blues 2. Ballad of Brother Lew 3. Blue Form 4. Interlude 5. Nobody Wants to Shine 6. Eternal Thirst 7. Too Naked for Demetrius 8. Mumbella Baye Tu la 9. Clouds Went That Way
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